2013….

The unlucky?, the odd?, possibly one of the strangest years of my life…

For me it’s been a year of retrospect, development and much learning. It’s not been a prosperous year in some respects, in others it has proven richer than any other.

I’ve talked with various people about this and most of us agree, the reality of writing and being a writer isn’t like we think. It is not glamorous and most of the time you catch a bit of writing time when you can. It is not all coffee shops and walnut desks looking out over fields of green, while you dream-sequence scenes and deliver them through a pen or a keyboard. When a reader sees the finished product, they are hopefully getting a smooth delivery of the story. They haven’t seen all the background work that goes into a novel. There’s a lot of it. Some of the tiny things we take for granted are the most difficult to master, such as dialogue presentation, adverbs, overuse of certain phrases, colloquialisms gone mad. I won’t bore you.

For me, my experience is that writing is consuming. Sometimes I will be at the washing-up bowl and something will hit me. A line or a thought or an idea that needs to be put in the book I am currently writing. Sometimes it is even an idea for another novel. Sometimes I try to push these ideas to the back of my mind and if they come back to haunt, they may well stick! I rarely write down notes and if I do, they are bullet points in a word doc. They are shorthand on a post-it. You’d think it’d be a gift to have a photographic memory but it’s not always, not when you’re walking down the street acting out the scene in your head and trying to hide smiles or tears from other passing people on the street! That’s how crazy this thing gets. Yes, I am barking mad! Like I said, not glamorous. Sometimes my fingers are burning by the time I get off the pavement and into a chair. If you give yourself to it truly, the stories, characters and images do not arrive when you expect them to or when you try to conjure them! They just pour out whenever they like.

The reality of this writing thing is that it is hard, really, really hard. The joy is great, but the reality is tough. It’s difficult when you’ve got family obligations, a job outside of writing, a social network that will consume all your hours if you let it! Setting yourself a deadline or a time limit is the hardest thing. However, it works.

I cannot really put into words what happened to me during the writing of A Fine Profession, which began formulating around 11 months ago. I upped my game. I can’t ever write off The Ravage Trilogy. Those books are the rawest portion of me as a writer. They are full of twists and turns, ideas and characters, locations and confrontations. It’s set in the future but it’s more a reflection of the world as it is now. When you’ve worked in the media, you do see words in a different way. You see how easily they can be twisted. Read George Orwell’s Why I Write. Sometimes I would speak to friends in the police about a story and they would say, “Yep, but the Press didn’t mention this…” We cull things sometimes to paint a picture we can cope with, one we can deal with, perhaps a novel theory or a madcap idea made true. We abstain from the reality, which A Fine Profession did not.

This is where it gets hard to explain… There is something burning in me, a need or a purpose that I feel determined to build upon constantly. I feel with every book, I learn, I excel beyond what I did before. If you start at Beneath the Veil and continue through the books, you might just see how quickly my style and skills have developed. It’s like when you feel in the mood for a quick, easy read, you go for that. It fulfils everything you want in that moment. Then, when you need something to sink your teeth into, you reach for the tomes that will make you wince but ultimately, reward you exponentially. In a writer’s life, this is similar. Sometimes you need to write something exploratory and uncomfortable, then other books end up being lighter or more what we think of as mainstream. Mainstream to me seems to embody “driven formula, emotive yet not too heavy, nothing too offensive”.

When I was writing A Fine Profession I was in the zone of that book and thought nothing of being offensive with some of the stuff therein. Some of it is meant to be uncomfortable and make you question all we imagine about men and women’s opinions of sex, love and exploitation. I sometimes look back and wonder how the hell I had the balls to do it but I felt so sure of what I was creating in the moment and I wasn’t thinking about me, I was thinking about Lottie and how she saw the world around her.

2013 was the year I realised that this isn’t just a maternity leave project any longer. It is so much more now. Yeah I always knew I could write. But for someone like me, whose brain refuses to slow down, I knew it would become all-consuming and hard to let go of once I got going. Like I said, there are so many things that go on behind the scenes – all those little bits of refinement build a good book. There’s so much you can’t appreciate as the reader because you only see what we want you to see, and that is the bits we feel comfortable showing you. It’s nice when I get to sit down with other people’s books because that is therapy. There are so many things about being a writer that you can only understand if you are one too. It’s such a lonely world otherwise.

My final thought is that this writing year brought me Lottie, brought me Noah, gave me so many awesome compliments from not only fellow writers, but bloggers, non-erotica readers and new fans I wouldn’t have had if it weren’t for social media etc. It’s all building towards something solid and robust. My goodness, though, it has been a test. It has been taxing. I am of the school of method writing. I was always taught not to refer to a writer in the context of their biography. However, one character in my books is explicitly me. No, it’s not Lottie. I maintain categorically it isn’t her. Ha-ha! I could not have written that book if she was me. It would have been too difficult. I wrote it for someone not even a little bit like me. Anyway, maybe I am saying read them all and decide for yourself where the real me is hiding! Lottie once said to me, “Most of us dream of finding true love and yet none of us know what it entails. It requires ultimate sacrifice – giving entirely of yourself. I had tried to do that by writing my book and then even still, its relevance had already begun waning.” This world moves at a constant pace. A true love may be something rare and beautiful but nothing ever comes for free, I am a true believer of that.

What might 2014 bring? I think a tome might be next… perhaps a lot of editing jobs too, all of which fortify the strengths I am constantly building on. Life is a journey and this is the one I am currently riding.

Happy 2014 everyone xxx

A Year’s Writing

The year began with the completion of The Ravage Trilogy, releasing part three Beneath the Exile in February. It was honestly a very difficult thing to say goodbye to that body of work. I still feel like Beneath the Exile is one of the best books I may ever write. I took myself to depths I didn’t like to make that book possible. It’s not really genre-specific or definable, The Ravage Trilogy, it is simply three books about how a small band of heroes might try to save the world after a viral outbreak. It’s about friendships and ass-kicking. It’s mostly about one woman, who started out life not well but triumphed, found herself in an extraordinary set of circumstances and was forced to become the person she was meant to be. We writers all feel we know our characters; they will always remain old friends, vital spirits that become immortalised in print. It was so difficult to say goodbye to Seraph, Ryken, Camille, Eve, Mara, Nathan, Connie… et al

But, I finished that book and moved straight onto the one that had been brewing in my head – A Fine Profession (called The Chambermaid to begin with).

Lottie’s story was one I had straight in my head before I began writing. She was promiscuous for a reason, not even promiscuous – I guess more like searching for something. On a journey to a place she wanted to get to but just couldn’t quite make it. It some ways the book is more character study than romance. Her story complete, there were things to be considered. Did Noah warrant a story of his own? Of course he did. So I had to make a few snips in A Fine Profession, a few tweaks here and there, to make A Fine Pursuit possible. His story was one I felt should be told with brutal honesty because after all, Lottie herself was brutally honest too.

So, the trilogy added to the Chambermaid series (A Fine Profession, A Fine Pursuit, Bedtime Confessions) equals 642,000 words. Also, when I was a journalist, sometimes I used to pump out as much as 4,000 a day. So seven years of that… go figure. Me and words have a big thing going on here and it has taken over my life, as you can probably tell. I hardly have time to breathe sometimes. I have a child and a husband, a life, so there’s little time for social networking and blogging etc. Which is difficult, because you need to be able to do those things to get your books out there.

The latest book Angel Avenue, a mere 100K (ha ha, that’s like what 742K now) spilled out very quickly. Why? Well, it was already in my head too. I am working through a backlog of stories here and it’s finally cleared, for now (I guess) until the next voices start speaking to me. So… Angel Avenue, is just a story fuelled by something I notice going on around me quite a lot. A while ago I was asked to write a short story about bullying for a charity thing and I had the basics down (but I knew it should be a novel). So those tendrils were there and it was just a matter of getting it out.

One thing that became evident to me when writing Angel Avenue is that a standalone novel is much harder to write than a duo or a trilogy or a collection of short stories. Not harder in terms of skill or craftsmanship; more difficult in the sense that once it’s done, that is it. You’re done. Forever. You have to get everything out there about those characters and know that you’re done, within one book. Not two or three. There can be no going back then. I edited and edited and edited this book, Angel Avenue. The editing was intense and it produced something I feel immensely proud of. It’s one singular unit and it comes full circle and in my mind, I feel happy about what I created, what I achieved. I also feel very sad because the Jules and Warrick of Angel Avenue live on, but not with me, with all the people who will read it. I gave them a story that means you can decide for yourself what happens next. I have learnt to write so that people will be left wanting more (and unfortunately it leaves me wanting more too but that is the price I must pay).

I am also making headway in becoming an editor. We need editors. They are the bedrock of publishing. Now I have been on both sides, I can tell you. An editor can be the third person and look down on a work without emotional attachment and make decisions that you as the writer might otherwise find difficult. An editor can tell you where things can be pulled and still, the book makes as much of a point as you wanted it to. I have made some calls on other people’s books this year which have made me more confident in crafting my own work.

Five amazing things about this year:

– I got people reading erotica who never would have done before.

– I have reached Australia, Florida, Nevada, California and so many other countries, it’s unreal. I’ve also met some other amazing writers both here and elsewhere.

– People are telling me that they are going back to the start of the catalogue after discovering one of my books.

– I discovered that it pays to have confidence in what you’re doing.

– Trying out new things can pay dividends.

I have written hundreds of thousands, probably millions, of words. I am still learning, all the time. How do I do this? Why do I do this? Read Angel Avenue. This is why I do this. Simply and truthfully, this is a true love, one I found many years ago. One that will always be here for me. The books I write will always be there for people’s enjoyment. My skill will always be at my fingertips. It’s been a good year. I am an extremely lucky, if emotionally wrecked, writer. Writing is not something I do, it is something I am. Because I have to do it, I make time for it. But with the backlog cleared, it’s time to rest and recoup. *and breathe*

I really miss the Ravage trilogy…

I always said, my first books would probably be the closest to my heart. Yet I keep writing and I keep discovering new characters and new stories that mean just as much.

Oh man, though. When I go back and think about this futuristic trilogy and all the hours my husband and I spent on it… wow. It was a test of faith and endurance. I wrote some of it with a baby hanging off my boob, some of it while I was working and being a mummy, and the rest when I should have been sleeping.

Sometimes I cannot put into words when it still means to mean, what it will always mean to me.

I reloaded the paperback covers today so you can get them in matte (which looks fab by the way) and wanted to just post them here and remind people that the trilogy is out there. It’s futuristic, it’s packed with sex and action, there are page-turning adventures set to a rock soundtrack and an ass-kicking bunch of superhuman beings.

Seraphina Maddon and Ryken Hardy will never leave my heart.

Check it out alongside all my other books… Author.to/SarahMichelleLynch

 

BTV1BTB1BTE1

A NOVEL OF HOPE… Angel Avenue out now!

My sixth novel (somebody bloody stop me) is a thought-provoking read with a moral tale, plus romance at its heart…

It’s about an unlikely friendship developing into something much deeper. It’s also about the things that go on around us that are hard to accept. Things such as abuse, bullying, poverty. It’s about how important a blessed childhood is and how valuable a good school life can be to children in need. Overall this is a feel-good book but I do touch on some difficult subjects. Nevertheless my thought when writing was that at this time of year, we all need a little hope and joy. We need some reassurance that there is sometimes great good being done right under our noses. It’s escapist fiction but we all need a little of that from time to time. You could maybe say this is a female version of Scrooge crossed with It’s a Wonderful Life and then a pickled egg added in for good measure.

p.s. this romance (for once) does not include bondage, domination or corsets LOL… it’s safe for even your granny. I will do more erotica in future, but this was a nice derailment. 🙂

LINKS:

AMAZON: myBook.to/AngelAvenue

SMASHWORDS: https://www.smashwords.com/books/view/389509

 

ANGEL AVENUE NEW

Book Six… TBC

Hi guys! Just a swift check-in from me.

I have been stupidly bogged down with editing and stuff lately. Got a busy week of signing stuff off coming up.

Personally, I can confirm my next novel is something very different to anything I have ever done before. I am reluctant to release details at the moment but I can confirm, it is literary/contemporary fiction.

More to come. Until then, check out The Chambermaid. She got a few more reviews this week and I am super pleased that I am reaching various corners of the globe!

Click below and enjoy!

A Fine Profession WEBSITE USE?????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????

To clarify…

A few people have asked me whether Charlotte’s story is done with at the end of A Fine Profession. My answers have been vague and there is a reason. But I think I should clarify…

A Fine Pursuit is going to very much feature her, even though it is from Noah’s perspective. At the end of Book One, we are left with some BIG questions. We know she left him, we know that from the very beginning of Book One. There is something Charlotte never expected Noah would do and in A Fine Pursuit, he does it. He books himself in for therapy.

Book Two is very heavy on the psychology. It is with this in mind, I should warn you now that I have decided not to list this as an erotic novel. There are plenty of sex scenes still, there always are in any books of mine, but this is a book which you might need to prepare yourselves for. This is much less a sex book than A Fine Profession. The romancer in Noah has made this very much a story of one man’s dreadful past and the woman who forces him to not only face it, but embrace it and hopefully… move on. Sex becomes a sideline of the enormous emotional connection they grow to share.

So to warn you, this is a CONTINUATION of the couple’s story, and not just Noah’s version of Book One. The story continues. It is ongoing. There will be scenes featuring Noah’s interpretation of some parts of Book One, but I’ve only weaved the important elements fundamental to his therapy and the condition he suffers.

Whether the Chambermaid and her lover get their happy ever after, you will just have to read to find out…

At present, I am feeling excited, nervous, tired, impatient, annoyed, happy, sad, oh… and more… The research for these books has been integral and whether I meant to or not, I think I pulled something out of the bag that nobody will expect. I have made huge sacrifices to write these books but I loved every minute. Thought every hardship worth it. Watch this space…

My review of The Assassin Princess by Blake Rivers

I wouldn’t normally read fantasy though I have watched plenty of films in this genre. The first half of the book set the scene; a new world different to anything else I have been presented with before. I found myself wanting to read carefully to absorb all the powerful imagery. The worlds painted were colourful and dangerous; real and yet ethereal. The layers offered an edge of mystery and intrigue. You never knew what might happen next. There was poetry and threat. It was a world of innocence and experience. I was reminded of so many different literary influences and also epic scenes akin to those you may find in Japanese cinema, both anime or otherwise. The book cover gives you a great sense of this also.

Towards the latter half of the book, when the action ramped up, there were breathless moments. There were scenes that drew a disturbed reaction from me. There was splicing between worlds and layers and voices and it was done to move the action rapidly onwards. Even when you get to the epilogue, you yearn for the return of Ami’s innocence, though you know she can never go back. The connection she has with Hero is genuine, heartfelt and never overdone. It was refreshing to read a book where a lot is left to the imagination and you can see the scenes but also draw your own interpretations. It is a living, breathing book. I think there is much yet to be drawn from these characters and this book gave me a sense of that, so I look forward to seeing what might happen next!

Buy the book here

Visit his website blakerivers.co.uk

 

TEASER…TEASER…TEASER

This is the PROLOGUE from my new novel A Fine Pursuit, releasing November 1st…

 

Noah stands on the periphery observing the chaos. He vaguely sees two people warring and yet his own mental conflict rages louder. Something is mixing with the blood and adrenalin pumping around his body – but he refuses to be provoked. He feels dizzy and out of control; sick with a sense of terrible foreboding. He is paralysed by an innate and dreadful fear.

The memory dissipates and he is somewhere else, far, far away from that scene. He has her in his arms. He takes a deep, satisfying breath of her hair and holds her close. The peace she affords him obliterates all those reminders of the ordeal. The woman he loves feels so soft and gentle against his much larger, harder body. She nuzzles her nose in his chest and waves of joy flow through his heart and stomach so that nothing hurts, no bad ever happened. The daily struggle to avoid his torment has been completely eradicated.

He blinks. Then in a mere moment, he is back in the cavernous depths of his subconscious mind. He suffers anguish beyond anything the ordinary man may experience throughout an entire lifetime. His large frame trembles with unforgiving loathing and he has no control again. His impulses are a menace. They wage a war against the educated man inside him that wants to break the pattern and be something better, something healthier and more wholesome. He just never managed it.

He hears the smash of bones and sees the twisted neck of the person at his feet. Her eyes are wide open, bloodshot, yet lifeless.

A voice echoing inside his head taunts him: You are responsible.

***

Noah wakes up in a cold sweat, bolting up out of bed. He knows only that he feels numb and the crushing, strangulating desolation is hard to break free of. It was a dream, just a dream. He falls back down in bed, curling into a ball, and wishes Charlotte were with him. Ever since she left, he has been alone, tormented and reminded.

He undid her; she undid him.

Though she might be surviving, he is slowly falling into the pits of despair.

 

A FINE PROFESSION (the first of the chambermaid’s tales) IS CURRENTLY ON SALE…