The first part of the chambermaid series is available freee…
universal link: viewbook.at/B00DVS53JQ
UK link: http://www.amazon.co.uk/dp/B00DVS53JQ
US link: http://www.amazon.com/dp/B00DVS53JQ
Enjoy y’all…
The first part of the chambermaid series is available freee…
universal link: viewbook.at/B00DVS53JQ
UK link: http://www.amazon.co.uk/dp/B00DVS53JQ
US link: http://www.amazon.com/dp/B00DVS53JQ
Enjoy y’all…
Some of you know me only as an erotic/romance author. Some of you know I started out by writing futuristic stories that combine romance, thriller and scifi. Well, soon I will be unveiling how my work is developing and going down two separate routes. Don’t get me wrong there is always going to be some romance in anything I write. There will always be plenty of STEAM (to highlight the story, mind). However, when it comes to my scifi writings I will be known as S.M. Lynch now. That is because the scifi is definitely grittier and less forgiving than my other novels. Although if you read anything of mine you may notice I don’t write simple characters – ever – I always writing 3D souls who’ve seen, done and been places. Some protagonists may aggravate you but then not everyone is likeable in real life – it’s just understanding why that is sometimes difficult to comprehend.
So… I have a new series coming out very, very soon. I say NEW but I released these books before – at a time when I didn’t know much about professional writing. I just knew I had a good story. Perhaps a great story. I just didn’t really know then how I could tell that story in the best possible way.
I believe when you leave a story alone, and go back to it after a period of reflection, you obviously have a lot more perspective. I can’t recall exactly when I decided to revise these books but it just hit me before Christmas that it was important that I SHOULD.
If you visit the above website, you can get a feel of the series. I can reveal that one of the reasons I thought I should revise these books is because I do have some ideas at the back of my mind for a follow-up series to this series. The possibilities excite me very much. You see – these are set in the future. And the future is for the taking.
THE RADICAL is fully edited and will be released on track, this Saturday. If you like a read that you can swish through in one gulp, you will love this book. It will keep you guessing right until the very end and hopefully – well definitely – will make you want to read on. THE INFORMANT will follow pretty closely behind.
So just how do I get you to invest in not just a trilogy, but a series? It’s a big, big ask. All I can say is that we’ve surely heard and read the same plots retold in different books over and over again. What you may like about my scifi novels is the characters. They’re all different. I push them through individual challenges and the world in which they live is a tightly controlled environment of fear, dread and corruption. So getting away scot-free won’t come cheap…
Please head on over and take a look at unitynovels.com
CLICK ON THE BOOK COVERS ABOVE TO BE REDIRECTED TO AMAZON
READ A HOST OF 4 AND 5* REVIEWS
ENJOY!
HAVE A GREAT WEEKEND ALL!!
xx
FREE TO DOWNLOAD ALL THIS WEEK!!
Check out this LOVE STORY. It has two characters with two stories but one true love that tries to conquer all. I wrote this purely as a beacon of hope, love and triumph over adversity. It is about childhood and how important that is. In the past I worked with kids from troubled backgrounds so some of it is definitely informed by what I learned along the world…. more than a romance…
Click on the cover to be directed to Smashwords where you can download for FREE!
Or see the great reviews I am getting either on Goodreads or Amazon
I received this review (below) for Angel Avenue today and it blew me away. I don’t really know why to be honest… well I do… and I don’t. I love writing. I love storytelling. Most of all, I love it when someone says they got something from my words. I enjoyed writing this book more than any other. That alone in itself is so much a blessing. To love what you do is a precious, rare gift. To truly love it, heavenly. The outstanding reason why I enjoyed writing this book more than any other – I didn’t put any expectation on myself or any stress. I did what comes naturally – what all writers should strive for – just write what is real. What feels pertinent or particular to your experience at a certain juncture in your life.
I leave you with this quote… and the review obviously…
“I would stand and look out over the roofs of Paris and think, ‘Do not worry. You have always written before and you will write now. All you have to do is write one true sentence. Write the truest sentence that you know.’ So finally I would write one true sentence, and then go on from there.” – Ernest HemingwayRiveting, modern-day romance
When I read the beginning lines, it seemed the stage was set up for a working girl on the prowl, yet the interesting twist at the very beginning made me stick around. The emotional development of the two main characters, Jules and Warrick, was beyond great. It was expertly placed, pleasingly methodical. Both characters had their sets of challenges, and the author goes above and beyond to paint out the progress as they both go beyond the pain in order to achieve happiness.
These characters were universally engaging and it’s one of the many things I appreciated about this work. I saw so much of myself in Jules: a few scenes made tears well in my eyes because her agony was so sharp and so vivid. Although I have never adapted her technique to fill the void for companionship, I can wholly empathize with being drawn to someone’s admiration of me when my self-esteem has been dragged through the mud by others who were supposed to consider me sacred.
Warwick wants to be Jules’ hero. He doesn’t want to see her suffering, yet he doesn’t want her to know about his own kryptonite. It is this very defense mechanism and Jules’ own inhibitions based on past experiences that causes bumps along the way.
In addition to the pacing of conflict, character engagement, and passion throbbing throughout the story, descriptions of locations were suffused in such a way that you felt as if you were actually there-sipping beer at the pub, going sightseeing, or volunteering at the different locations.
If you want romantic scenes with the right mixture of spontaneity, tenderness, primal urge, and sensuality–
If you want a modern day tale of the challenges that can occur when two people are trying to find true love–
If you want a read that puts your spirit as well as your mind at each and every scene–
Then you must NOT hesitate in getting Angel Avenue by Sarah Michelle Lynch. This is a must win: all across the board. This has the makings of a modern day romantic classic. (EXTENDED REVIEW HERE)
Buy this book and read other reviews:
I began writing a trilogy some three years ago. Sometimes I still say to myself, “you just wrote a few strings of tales together and it somehow ended up as three books” because it will never sink in what I achieved. Writing those books was an enormous period of creativity for me. In fact, a lot of fellow journalists can probably sympathise with this – because I spent years hardly having time to read or write for myself. When you have been doing it all day, you hardly want to give it a go when you get home.
Years, and I mean years ago, I had this dream. It was of a couple in an airport lounge and I had the sense of them having been on a long journey together. They were facing a crossroad and had to decide whether to go forward together or go their separate ways. I had this strong sense of theirs being a world where love was dangerous. If you had someone, you had something to lose. There was a mysterious force at work behind the scenes… and well… I won’t spoil it.
That dream stayed with me for so long. I mean, my daughter is nearly three now and it was years before that that I had this dream. It never went away. I suffer vivid dreams all the time and never remember them, but I remembered that one.
So when I started to put it down it was without a clue what I was really doing. I just knew I had this story and I wanted to tell it. I didn’t think about the technicalities. And then, well, I put it out there and didn’t really promote it. Didn’t get any response from agents or publishers, as is par for the course. Family and friends told me they loved it and I just thought, “yeah, yeah, yeah…” you know, because they are biased and all. You can guess the rest…
So, over the course of my writing journey I have learnt that I feel most comfortable writing from a First Person perspective. I find Third Person difficult, not natural even, because I struggle to put myself in the mind of my characters then.
I felt stifled when I began novel writing, as if my mind was putting so many constraints on myself and what I could do in a book. I was too bothered by the little things to think more about the bigger issues. It is a difficult thing to explain. So I am NOW re-editing the entire trilogy with sections ripped and others re-enforced, with the singular voices of Seraph, Ryken and Camille et al guiding you on what will be an explosive, emotive, thrilling and escapist journey into a dystopian future world.
If any of you think you might find a blog history of my editing processes interesting, I might be persuaded… Otherwise don’t expect to get any sense from me for a while.
More details coming soon…
The unlucky?, the odd?, possibly one of the strangest years of my life…
For me it’s been a year of retrospect, development and much learning. It’s not been a prosperous year in some respects, in others it has proven richer than any other.
I’ve talked with various people about this and most of us agree, the reality of writing and being a writer isn’t like we think. It is not glamorous and most of the time you catch a bit of writing time when you can. It is not all coffee shops and walnut desks looking out over fields of green, while you dream-sequence scenes and deliver them through a pen or a keyboard. When a reader sees the finished product, they are hopefully getting a smooth delivery of the story. They haven’t seen all the background work that goes into a novel. There’s a lot of it. Some of the tiny things we take for granted are the most difficult to master, such as dialogue presentation, adverbs, overuse of certain phrases, colloquialisms gone mad. I won’t bore you.
For me, my experience is that writing is consuming. Sometimes I will be at the washing-up bowl and something will hit me. A line or a thought or an idea that needs to be put in the book I am currently writing. Sometimes it is even an idea for another novel. Sometimes I try to push these ideas to the back of my mind and if they come back to haunt, they may well stick! I rarely write down notes and if I do, they are bullet points in a word doc. They are shorthand on a post-it. You’d think it’d be a gift to have a photographic memory but it’s not always, not when you’re walking down the street acting out the scene in your head and trying to hide smiles or tears from other passing people on the street! That’s how crazy this thing gets. Yes, I am barking mad! Like I said, not glamorous. Sometimes my fingers are burning by the time I get off the pavement and into a chair. If you give yourself to it truly, the stories, characters and images do not arrive when you expect them to or when you try to conjure them! They just pour out whenever they like.
The reality of this writing thing is that it is hard, really, really hard. The joy is great, but the reality is tough. It’s difficult when you’ve got family obligations, a job outside of writing, a social network that will consume all your hours if you let it! Setting yourself a deadline or a time limit is the hardest thing. However, it works.
I cannot really put into words what happened to me during the writing of A Fine Profession, which began formulating around 11 months ago. I upped my game. I can’t ever write off The Ravage Trilogy. Those books are the rawest portion of me as a writer. They are full of twists and turns, ideas and characters, locations and confrontations. It’s set in the future but it’s more a reflection of the world as it is now. When you’ve worked in the media, you do see words in a different way. You see how easily they can be twisted. Read George Orwell’s Why I Write. Sometimes I would speak to friends in the police about a story and they would say, “Yep, but the Press didn’t mention this…” We cull things sometimes to paint a picture we can cope with, one we can deal with, perhaps a novel theory or a madcap idea made true. We abstain from the reality, which A Fine Profession did not.
This is where it gets hard to explain… There is something burning in me, a need or a purpose that I feel determined to build upon constantly. I feel with every book, I learn, I excel beyond what I did before. If you start at Beneath the Veil and continue through the books, you might just see how quickly my style and skills have developed. It’s like when you feel in the mood for a quick, easy read, you go for that. It fulfils everything you want in that moment. Then, when you need something to sink your teeth into, you reach for the tomes that will make you wince but ultimately, reward you exponentially. In a writer’s life, this is similar. Sometimes you need to write something exploratory and uncomfortable, then other books end up being lighter or more what we think of as mainstream. Mainstream to me seems to embody “driven formula, emotive yet not too heavy, nothing too offensive”.
When I was writing A Fine Profession I was in the zone of that book and thought nothing of being offensive with some of the stuff therein. Some of it is meant to be uncomfortable and make you question all we imagine about men and women’s opinions of sex, love and exploitation. I sometimes look back and wonder how the hell I had the balls to do it but I felt so sure of what I was creating in the moment and I wasn’t thinking about me, I was thinking about Lottie and how she saw the world around her.
2013 was the year I realised that this isn’t just a maternity leave project any longer. It is so much more now. Yeah I always knew I could write. But for someone like me, whose brain refuses to slow down, I knew it would become all-consuming and hard to let go of once I got going. Like I said, there are so many things that go on behind the scenes – all those little bits of refinement build a good book. There’s so much you can’t appreciate as the reader because you only see what we want you to see, and that is the bits we feel comfortable showing you. It’s nice when I get to sit down with other people’s books because that is therapy. There are so many things about being a writer that you can only understand if you are one too. It’s such a lonely world otherwise.
My final thought is that this writing year brought me Lottie, brought me Noah, gave me so many awesome compliments from not only fellow writers, but bloggers, non-erotica readers and new fans I wouldn’t have had if it weren’t for social media etc. It’s all building towards something solid and robust. My goodness, though, it has been a test. It has been taxing. I am of the school of method writing. I was always taught not to refer to a writer in the context of their biography. However, one character in my books is explicitly me. No, it’s not Lottie. I maintain categorically it isn’t her. Ha-ha! I could not have written that book if she was me. It would have been too difficult. I wrote it for someone not even a little bit like me. Anyway, maybe I am saying read them all and decide for yourself where the real me is hiding! Lottie once said to me, “Most of us dream of finding true love and yet none of us know what it entails. It requires ultimate sacrifice – giving entirely of yourself. I had tried to do that by writing my book and then even still, its relevance had already begun waning.” This world moves at a constant pace. A true love may be something rare and beautiful but nothing ever comes for free, I am a true believer of that.
What might 2014 bring? I think a tome might be next… perhaps a lot of editing jobs too, all of which fortify the strengths I am constantly building on. Life is a journey and this is the one I am currently riding.
The year began with the completion of The Ravage Trilogy, releasing part three Beneath the Exile in February. It was honestly a very difficult thing to say goodbye to that body of work. I still feel like Beneath the Exile is one of the best books I may ever write. I took myself to depths I didn’t like to make that book possible. It’s not really genre-specific or definable, The Ravage Trilogy, it is simply three books about how a small band of heroes might try to save the world after a viral outbreak. It’s about friendships and ass-kicking. It’s mostly about one woman, who started out life not well but triumphed, found herself in an extraordinary set of circumstances and was forced to become the person she was meant to be. We writers all feel we know our characters; they will always remain old friends, vital spirits that become immortalised in print. It was so difficult to say goodbye to Seraph, Ryken, Camille, Eve, Mara, Nathan, Connie… et al
But, I finished that book and moved straight onto the one that had been brewing in my head – A Fine Profession (called The Chambermaid to begin with).
Lottie’s story was one I had straight in my head before I began writing. She was promiscuous for a reason, not even promiscuous – I guess more like searching for something. On a journey to a place she wanted to get to but just couldn’t quite make it. It some ways the book is more character study than romance. Her story complete, there were things to be considered. Did Noah warrant a story of his own? Of course he did. So I had to make a few snips in A Fine Profession, a few tweaks here and there, to make A Fine Pursuit possible. His story was one I felt should be told with brutal honesty because after all, Lottie herself was brutally honest too.
So, the trilogy added to the Chambermaid series (A Fine Profession, A Fine Pursuit, Bedtime Confessions) equals 642,000 words. Also, when I was a journalist, sometimes I used to pump out as much as 4,000 a day. So seven years of that… go figure. Me and words have a big thing going on here and it has taken over my life, as you can probably tell. I hardly have time to breathe sometimes. I have a child and a husband, a life, so there’s little time for social networking and blogging etc. Which is difficult, because you need to be able to do those things to get your books out there.
The latest book Angel Avenue, a mere 100K (ha ha, that’s like what 742K now) spilled out very quickly. Why? Well, it was already in my head too. I am working through a backlog of stories here and it’s finally cleared, for now (I guess) until the next voices start speaking to me. So… Angel Avenue, is just a story fuelled by something I notice going on around me quite a lot. A while ago I was asked to write a short story about bullying for a charity thing and I had the basics down (but I knew it should be a novel). So those tendrils were there and it was just a matter of getting it out.
One thing that became evident to me when writing Angel Avenue is that a standalone novel is much harder to write than a duo or a trilogy or a collection of short stories. Not harder in terms of skill or craftsmanship; more difficult in the sense that once it’s done, that is it. You’re done. Forever. You have to get everything out there about those characters and know that you’re done, within one book. Not two or three. There can be no going back then. I edited and edited and edited this book, Angel Avenue. The editing was intense and it produced something I feel immensely proud of. It’s one singular unit and it comes full circle and in my mind, I feel happy about what I created, what I achieved. I also feel very sad because the Jules and Warrick of Angel Avenue live on, but not with me, with all the people who will read it. I gave them a story that means you can decide for yourself what happens next. I have learnt to write so that people will be left wanting more (and unfortunately it leaves me wanting more too but that is the price I must pay).
I am also making headway in becoming an editor. We need editors. They are the bedrock of publishing. Now I have been on both sides, I can tell you. An editor can be the third person and look down on a work without emotional attachment and make decisions that you as the writer might otherwise find difficult. An editor can tell you where things can be pulled and still, the book makes as much of a point as you wanted it to. I have made some calls on other people’s books this year which have made me more confident in crafting my own work.
Five amazing things about this year:
– I got people reading erotica who never would have done before.
– I have reached Australia, Florida, Nevada, California and so many other countries, it’s unreal. I’ve also met some other amazing writers both here and elsewhere.
– People are telling me that they are going back to the start of the catalogue after discovering one of my books.
– I discovered that it pays to have confidence in what you’re doing.
– Trying out new things can pay dividends.
I have written hundreds of thousands, probably millions, of words. I am still learning, all the time. How do I do this? Why do I do this? Read Angel Avenue. This is why I do this. Simply and truthfully, this is a true love, one I found many years ago. One that will always be here for me. The books I write will always be there for people’s enjoyment. My skill will always be at my fingertips. It’s been a good year. I am an extremely lucky, if emotionally wrecked, writer. Writing is not something I do, it is something I am. Because I have to do it, I make time for it. But with the backlog cleared, it’s time to rest and recoup. *and breathe*
I always said, my first books would probably be the closest to my heart. Yet I keep writing and I keep discovering new characters and new stories that mean just as much.
Oh man, though. When I go back and think about this futuristic trilogy and all the hours my husband and I spent on it… wow. It was a test of faith and endurance. I wrote some of it with a baby hanging off my boob, some of it while I was working and being a mummy, and the rest when I should have been sleeping.
Sometimes I cannot put into words when it still means to mean, what it will always mean to me.
I reloaded the paperback covers today so you can get them in matte (which looks fab by the way) and wanted to just post them here and remind people that the trilogy is out there. It’s futuristic, it’s packed with sex and action, there are page-turning adventures set to a rock soundtrack and an ass-kicking bunch of superhuman beings.
Seraphina Maddon and Ryken Hardy will never leave my heart.
Check it out alongside all my other books… Author.to/SarahMichelleLynch
Please visit my homepage to see details of my latest creation.
I felt it was important to tell you a bit about the background and writing of this novel, for my own personal benefit if nobody else’s!
Angel Avenue started as just a short story about a woman running from the ghosts of the past and developed into something very different to what I usually write. I guess in my previous work I have made things difficult for myself, combining genres in the Ravage Trilogy and then adding some pretty complex psychology to the erotica that followed after that.
This is a contemporary romance and was easily the most enjoyable thing I have written so far. After the short story sparked some further exploration, I thought about trying to get to 50,000 words and then after I reached that milestone, I thought, I shall try a little bit more, and eventually I was just hitting above 100K. Some fancy editing has got it down to 99K now. I am actually really happy with that! It’s a feat for me to stick to such a short word count and one, singular novel!
When I was writing this book, I had very specific aims in mind. I wanted it to be a novel of hope and triumph. Of natural humour. It has also ended up being loosely set in my hometown of Hull, and contains some interesting flecks of history. I by no means went overboard there, however, I focused primarily on this schoolteacher I created and the man sent to “save” her. By the end, you might be asking who is saving who…
This is a novel more “me” than anything else I have written. It goes somewhat to explaining how I do this thing I do. It goes back to my roots. In a past life, I may have worked in educational environments. I may have been trained to spot kids suffering abuse… there are lots of strings to my bow.
One of the things people say to me a lot is that English at school was very uninspiring for them. For some, the classics never captivated their imaginations. It was later in life that American literature perhaps obsessed them and gave their creativeness wings. I know that through the work I did with kids, young minds respond to drama and visual representation. After all reading in itself is a difficult skill learnt. The ability to sit there and absorb words on a page was something I never found easy as a girl. I could sit and absorb patterns and times tables within seconds, but words were difficult for me (being a more natural mathematician) and I had to battle to overcome that. I guess that is my personality in that what I don’t understand, I try to overcome. At school kids used to crowd round me in maths lessons to find out the answers whereas in English, I was a late developer and yet, once I got there the results were surprising, especially when I was 14 and holding onto one of the top scores in the country for my English SATs.
I guess with this novel, I just try to say how important education is for some children, how valuable and fundamental it is to their wellbeing. Young minds are a beautiful thing.
This novel will be released within the week and it is the perfect seasonal read. I hope some of you read and enjoy it. I am hoping to release it in as many formats as possible so watch this space!!
Peace out. xxx