How your first novel shapes you…

I may be repeating myself here but it needs saying. It does need saying. Again. A lot of first novels get consigned to the bin. One bestselling author I talked to wrote five novels before he got “published”. All the others may never see the light of day. I hear Hilary Mantel wrote dozens before getting “published”. “Published”: here I am referring to getting that elusive traditional publishing deal. Many hold out for this because to be an Indie means being very brave, or simply believing you have some words people may enjoy. Many writers can probably say… we wrote something and binned it at one time or another. We went on and wrote other things that we thought were better.

My first novel was so far from perfect. In fact it was the hardest novel I ever wrote and will always be because I started writing with an idea but no notion of how to set out the threads that weaved from that initial strain. Some of you might remember me saying that I wrote it while I was on maternity leave. I look back now and with hindsight, I actually don’t know how I accomplished what I did.

One thing I refuse to do is take myself seriously. There are so many, many writers now and it is amazing if you can get a small, loyal following. If you have that, pat yourselves on the back. It is an admirable thing to get something written down let alone published, whether by traditional or any other route. I think of things in terms of my own, personal victories sometimes, because often that is enough for the time being. Now I look back, I realise there were so many times I could have given up and given in. So many points along the road where I was tired, dejected, feeling unappreciated. Wondering what the point was. Whether anybody even cared. My husband always cared but yeah, that is his job. So then… when other people started caring too… that gave me something else. A bit more of an edge. I had to tell myself “you wrote a bloody novel when you had never even written anything creative before!” It was true. Yes, I was a journalist. Yes, I had an English degree. Yes, I have a way with words… that much was clear when I returned to work after maternity to find about six people doing a job I used to do singularly. But a novel is such a different ballgame… I had written a few fictional pieces in my youth and a bit of poetry but I hadn’t even really attempted a short story before I wrote Beneath the Veil.

There has to be so much self-belief. So much self-motivation. It is such a lonely game, such a weary, lonesome road to travel. I am a humble person (I actually am!), but when it comes to self-publishing apparently showing off is essential because nobody will listen if you don’t believe in the first place! I had to change from that humble, carefree “so what, who cares” type person to what I am now, which is a forthright, “here is my book and I flipping believe in it and will fight for it” type hybrid writer/promoter! I am still learning, bloody hell don’t get me wrong, I am still learning there!

Truth was my first novel (to me, back then, when I first started writing) was just a little challenge to myself to see what I could do for myself for a change. I never anticipated what I would turn out. Not in a million years would I have been able to foresee what I could achieve without first giving it a try. I never expected what happened – to actually happen. Never.

I didn’t give up on my first novel because it was such a rush, such a monumental period of creativity I couldn’t pass up. I was taken by an idea for a future world and it took me along for the ride. I just knew I had to get it down, it was then or never. It was all ready in my mind, waiting, to be written down. Sometimes you sit having to force the words. With my first novel, I couldn’t contain them. I itched to write, to scribble, to get it all down. It is great to be able to say, “I wrote erotica that people see as more than just erotica”. But it will be even better when my science-fiction gets me more notice because in actual fact, that is more me. You see, my first words were my truest and I will always gravitate back to them.

I have spent the first part of this year revising this first novel because I felt it was time. I felt there was more. There is still more… more future novels. The reason why I went back is because the prequels have to match the sequels now. There is so much I want to tell you all, and I will, in good time.

We wouldn’t have had A Fine Profession if I hadn’t gotten over that first hurdle of the first novel. Nor would Warrick Jones be breaking hearts either, if I hadn’t carried on, kept the faith, kept writing, knuckled down. Each time I finish a novel I prepare myself for the slump and the possibility that I might not have any more in the tank. I might not have the urge to keep going. I am a realist and sometimes, it just ain’t happening. The pen does not want to move. Yet, always, when I am least looking – I find something else to do. To explore. My first novel taught me that… you start with a singular notion and you let it run riot from there. You don’t stop until you have exhausted every possibility in your mind. I learnt to stop looking to myself for the inspiration and look at the world. The “shaping a novel into a smooth ride” thing, that comes later. Worry about it then…!

More to come…

I Am Editing a Trilogy…

I began writing a trilogy some three years ago. Sometimes I still say to myself, “you just wrote a few strings of tales together and it somehow ended up as three books” because it will never sink in what I achieved. Writing those books was an enormous period of creativity for me. In fact, a lot of fellow journalists can probably sympathise with this – because I spent years hardly having time to read or write for myself. When you have been doing it all day, you hardly want to give it a go when you get home.

Years, and I mean years ago, I had this dream. It was of a couple in an airport lounge and I had the sense of them having been on a long journey together. They were facing a crossroad and had to decide whether to go forward together or go their separate ways. I had this strong sense of theirs being a world where love was dangerous. If you had someone, you had something to lose. There was a mysterious force at work behind the scenes… and well… I won’t spoil it.

That dream stayed with me for so long. I mean, my daughter is nearly three now and it was years before that that I had this dream. It never went away. I suffer vivid dreams all the time and never remember them, but I remembered that one.

So when I started to put it down it was without a clue what I was really doing. I just knew I had this story and I wanted to tell it. I didn’t think about the technicalities. And then, well, I put it out there and didn’t really promote it. Didn’t get any response from agents or publishers, as is par for the course. Family and friends told me they loved it and I just thought, “yeah, yeah, yeah…” you know, because they are biased and all. You can guess the rest…

So, over the course of my writing journey I have learnt that I feel most comfortable writing from a First Person perspective. I find Third Person difficult, not natural even, because I struggle to put myself in the mind of my characters then.

I felt stifled when I began novel writing, as if my mind was putting so many constraints on myself and what I could do in a book. I was too bothered by the little things to think more about the bigger issues. It is a difficult thing to explain. So I am NOW re-editing the entire trilogy with sections ripped and others re-enforced, with the singular voices of Seraph, Ryken and Camille et al guiding you on what will be an explosive, emotive, thrilling and escapist journey into a dystopian future world.

If any of you think you might find a blog history of my editing processes interesting, I might be persuaded… Otherwise don’t expect to get any sense from me for a while.

More details coming soon…

A Year’s Writing

The year began with the completion of The Ravage Trilogy, releasing part three Beneath the Exile in February. It was honestly a very difficult thing to say goodbye to that body of work. I still feel like Beneath the Exile is one of the best books I may ever write. I took myself to depths I didn’t like to make that book possible. It’s not really genre-specific or definable, The Ravage Trilogy, it is simply three books about how a small band of heroes might try to save the world after a viral outbreak. It’s about friendships and ass-kicking. It’s mostly about one woman, who started out life not well but triumphed, found herself in an extraordinary set of circumstances and was forced to become the person she was meant to be. We writers all feel we know our characters; they will always remain old friends, vital spirits that become immortalised in print. It was so difficult to say goodbye to Seraph, Ryken, Camille, Eve, Mara, Nathan, Connie… et al

But, I finished that book and moved straight onto the one that had been brewing in my head – A Fine Profession (called The Chambermaid to begin with).

Lottie’s story was one I had straight in my head before I began writing. She was promiscuous for a reason, not even promiscuous – I guess more like searching for something. On a journey to a place she wanted to get to but just couldn’t quite make it. It some ways the book is more character study than romance. Her story complete, there were things to be considered. Did Noah warrant a story of his own? Of course he did. So I had to make a few snips in A Fine Profession, a few tweaks here and there, to make A Fine Pursuit possible. His story was one I felt should be told with brutal honesty because after all, Lottie herself was brutally honest too.

So, the trilogy added to the Chambermaid series (A Fine Profession, A Fine Pursuit, Bedtime Confessions) equals 642,000 words. Also, when I was a journalist, sometimes I used to pump out as much as 4,000 a day. So seven years of that… go figure. Me and words have a big thing going on here and it has taken over my life, as you can probably tell. I hardly have time to breathe sometimes. I have a child and a husband, a life, so there’s little time for social networking and blogging etc. Which is difficult, because you need to be able to do those things to get your books out there.

The latest book Angel Avenue, a mere 100K (ha ha, that’s like what 742K now) spilled out very quickly. Why? Well, it was already in my head too. I am working through a backlog of stories here and it’s finally cleared, for now (I guess) until the next voices start speaking to me. So… Angel Avenue, is just a story fuelled by something I notice going on around me quite a lot. A while ago I was asked to write a short story about bullying for a charity thing and I had the basics down (but I knew it should be a novel). So those tendrils were there and it was just a matter of getting it out.

One thing that became evident to me when writing Angel Avenue is that a standalone novel is much harder to write than a duo or a trilogy or a collection of short stories. Not harder in terms of skill or craftsmanship; more difficult in the sense that once it’s done, that is it. You’re done. Forever. You have to get everything out there about those characters and know that you’re done, within one book. Not two or three. There can be no going back then. I edited and edited and edited this book, Angel Avenue. The editing was intense and it produced something I feel immensely proud of. It’s one singular unit and it comes full circle and in my mind, I feel happy about what I created, what I achieved. I also feel very sad because the Jules and Warrick of Angel Avenue live on, but not with me, with all the people who will read it. I gave them a story that means you can decide for yourself what happens next. I have learnt to write so that people will be left wanting more (and unfortunately it leaves me wanting more too but that is the price I must pay).

I am also making headway in becoming an editor. We need editors. They are the bedrock of publishing. Now I have been on both sides, I can tell you. An editor can be the third person and look down on a work without emotional attachment and make decisions that you as the writer might otherwise find difficult. An editor can tell you where things can be pulled and still, the book makes as much of a point as you wanted it to. I have made some calls on other people’s books this year which have made me more confident in crafting my own work.

Five amazing things about this year:

– I got people reading erotica who never would have done before.

– I have reached Australia, Florida, Nevada, California and so many other countries, it’s unreal. I’ve also met some other amazing writers both here and elsewhere.

– People are telling me that they are going back to the start of the catalogue after discovering one of my books.

– I discovered that it pays to have confidence in what you’re doing.

– Trying out new things can pay dividends.

I have written hundreds of thousands, probably millions, of words. I am still learning, all the time. How do I do this? Why do I do this? Read Angel Avenue. This is why I do this. Simply and truthfully, this is a true love, one I found many years ago. One that will always be here for me. The books I write will always be there for people’s enjoyment. My skill will always be at my fingertips. It’s been a good year. I am an extremely lucky, if emotionally wrecked, writer. Writing is not something I do, it is something I am. Because I have to do it, I make time for it. But with the backlog cleared, it’s time to rest and recoup. *and breathe*

I really miss the Ravage trilogy…

I always said, my first books would probably be the closest to my heart. Yet I keep writing and I keep discovering new characters and new stories that mean just as much.

Oh man, though. When I go back and think about this futuristic trilogy and all the hours my husband and I spent on it… wow. It was a test of faith and endurance. I wrote some of it with a baby hanging off my boob, some of it while I was working and being a mummy, and the rest when I should have been sleeping.

Sometimes I cannot put into words when it still means to mean, what it will always mean to me.

I reloaded the paperback covers today so you can get them in matte (which looks fab by the way) and wanted to just post them here and remind people that the trilogy is out there. It’s futuristic, it’s packed with sex and action, there are page-turning adventures set to a rock soundtrack and an ass-kicking bunch of superhuman beings.

Seraphina Maddon and Ryken Hardy will never leave my heart.

Check it out alongside all my other books… Author.to/SarahMichelleLynch

 

BTV1BTB1BTE1

A NOVEL OF HOPE… Angel Avenue out now!

My sixth novel (somebody bloody stop me) is a thought-provoking read with a moral tale, plus romance at its heart…

It’s about an unlikely friendship developing into something much deeper. It’s also about the things that go on around us that are hard to accept. Things such as abuse, bullying, poverty. It’s about how important a blessed childhood is and how valuable a good school life can be to children in need. Overall this is a feel-good book but I do touch on some difficult subjects. Nevertheless my thought when writing was that at this time of year, we all need a little hope and joy. We need some reassurance that there is sometimes great good being done right under our noses. It’s escapist fiction but we all need a little of that from time to time. You could maybe say this is a female version of Scrooge crossed with It’s a Wonderful Life and then a pickled egg added in for good measure.

p.s. this romance (for once) does not include bondage, domination or corsets LOL… it’s safe for even your granny. I will do more erotica in future, but this was a nice derailment. 🙂

LINKS:

AMAZON: myBook.to/AngelAvenue

SMASHWORDS: https://www.smashwords.com/books/view/389509

 

ANGEL AVENUE NEW

I’ve laughed, cried, maybe even sweated, yes, even in winter…

Please visit my homepage to see details of my latest creation.

I felt it was important to tell you a bit about the background and writing of this novel, for my own personal benefit if nobody else’s!

Angel Avenue started as just a short story about a woman running from the ghosts of the past and developed into something very different to what I usually write. I guess in my previous work I have made things difficult for myself, combining genres in the Ravage Trilogy and then adding some pretty complex psychology to the erotica that followed after that.

This is a contemporary romance and was easily the most enjoyable thing I have written so far. After the short story sparked some further exploration, I thought about trying to get to 50,000 words and then after I reached that milestone, I thought, I shall try a little bit more, and eventually I was just hitting above 100K. Some fancy editing has got it down to 99K now. I am actually really happy with that! It’s a feat for me to stick to such a short word count and one, singular novel!

When I was writing this book, I had very specific aims in mind. I wanted it to be a novel of hope and triumph. Of natural humour. It has also ended up being loosely set in my hometown of Hull, and contains some interesting flecks of history. I by no means went overboard there, however, I focused primarily on this schoolteacher I created and the man sent to “save” her. By the end, you might be asking who is saving who…

This is a novel more “me” than anything else I have written. It goes somewhat to explaining how I do this thing I do. It goes back to my roots. In a past life, I may have worked in educational environments. I may have been trained to spot kids suffering abuse… there are lots of strings to my bow.

One of the things people say to me a lot is that English at school was very uninspiring for them. For some, the classics never captivated their imaginations. It was later in life that American literature perhaps obsessed them and gave their creativeness wings. I know that through the work I did with kids, young minds respond to drama and visual representation. After all reading in itself is a difficult skill learnt. The ability to sit there and absorb words on a page was something I never found easy as a girl. I could sit and absorb patterns and times tables within seconds, but words were difficult for me (being a more natural mathematician) and I had to battle to overcome that. I guess that is my personality in that what I don’t understand, I try to overcome. At school kids used to crowd round me in maths lessons to find out the answers whereas in English, I was a late developer and yet, once I got there the results were surprising, especially when I was 14 and holding onto one of the top scores in the country for my English SATs.

I guess with this novel, I just try to say how important education is for some children, how valuable and fundamental it is to their wellbeing. Young minds are a beautiful thing.

This novel will be released within the week and it is the perfect seasonal read. I hope some of you read and enjoy it. I am hoping to release it in as many formats as possible so watch this space!!

Peace out. xxx

Book Six… TBC

Hi guys! Just a swift check-in from me.

I have been stupidly bogged down with editing and stuff lately. Got a busy week of signing stuff off coming up.

Personally, I can confirm my next novel is something very different to anything I have ever done before. I am reluctant to release details at the moment but I can confirm, it is literary/contemporary fiction.

More to come. Until then, check out The Chambermaid. She got a few more reviews this week and I am super pleased that I am reaching various corners of the globe!

Click below and enjoy!

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News and Developments…goodies too!!!!

Oooh, it’s cold. It’s dark outside. It’s not all that nice! My husband works in journalism and is flat-out in the month of November to get you all your Christmas magazines. He hardly sees the light of day. Bless him! I always write something every year for my husband to look forward to reading at the end of this period of slog. Last year it was an unusual one… a 160,000-word action adventure novel, Beneath the Exile, which spanned four decades and several continents.

This year, I will give him something with fewer words but nevertheless, it is still pretty special. I will provide more on that, all in due course. It sure should get published. It’s something with a festive theme… I have a book cover ready and I am editing as we speak. By ze way, it is not erotique… More to come…

I’ve also been busy typesetting other people’s books for publication, editing them, producing covers. So you could say it’s one hectic month and I am so looking forward to Christmas this year! A lovely period of time off with my husband and daughter.

Treat yourself to a double helping of Chambermaid action today for a bargain price of less than £2.70 for the two (A Fine Profession and A Fine Pursuit). Still been getting some great feedback for these erotic stories. You can also still purchase the chambermaid’s short stories for 99pence. Just search Amazon for Bedtime Confessions. (click on the covers on my home page to view these books on amazon).

In other news I have an extra scene I wrote for A Fine Pursuit that I am hoping to release sometime soon! It’s from Charlotte’s POV, though the novel is from Noah’s voice…! A little bonus from our naughty chambermaid. What a year it has been so far.

Catch ya later, Sx