It’s Okay To Say “No”

Saying “No” Is a Sign of Intelligence

I read something a long while ago about an experiment involving people handed cakes and chocolate non-stop and the test was to see whether they kept saying yes, or eventually said no. After all, we don’t need all the cake and all the chocolate in one day. Moderation is the key, right?

The experiment showed that the more intelligent people either said no from the outset or eventually said no once they were full. For some reason, this example popped into my head this week and it got me also thinking about some of the Oxford University techniques implemented during the application process. Half the time the examiners are testing whether you’ll do something without question. If you do something without thinking it through or without a moment’s hesitation (just because someone said to do it), it could be a sign of low intelligence. What do you think?

I hear and see so much discontent around me some days and I think to myself, “Why don’t you just say no?”

There are many situations where it’s difficult to say no:-

  • You’re full from dinner but the waiter is giving you the eye as if to say that you having more drinks and puddings makes him look better with the boss. He looks so hopeless, you can’t say no.
  • Your mother-in-law keeps putting out plates of biscuits with the tea and coffee and somehow, you feel impolite not partaking.
  • Your boyfriend wants you to go with him to a game, but it’s really not your thing. If you say no though, he might go crazy with his friends, go out on the lash and forget you even exist. You’ll receive a text three days later to say he’s finally got sober and he needs you to pick him up from some gutter somewhere.
  • Someone asks for a favour and this person has done you a favour in the past. You know it’ll be difficult to carry out because you’ve already got a lot on your plate and what they want you to do is something you’d charge other people for, but somehow you selflessly work through the night to carry out the favour and it turns out, your friend didn’t need your help after all. Shout at them, or mooch on and hang your head for half a day? What do you do when they ask again, even though you feel bad about saying no?
  • This one is my favourite: You have a horrible relative and you’re asked to spend time in the same room as them. Ignore your better judgement (and that of many people who agree that the person in question is hard work) and be in the same room while biting your tongue, or say NO and avoid that period of time spent in their company which is a waste of your time and existence. I say I’d rather spend time being happy, than making other people happy. WE HAVE A CHOICE.

Life is short. Lately, with everything going on in the world and so much negativity in the media, it seems that life is getting shorter and shorter. None of us truly know how much time we have on this planet or in this life.

Sometimes I feel an urge to write, an itch I cannot ignore, and this is one of those times when I cannot ignore writing out something which seems very simple to me, but to others – difficult or challenging. Maybe it’s because I was once there, and the process of me finally saying no to something which made me unhappy changed me forever, and now I don’t hesitate in saying, “no”.

To explain, one of the main reasons I am a writer is that growing up, I chewed through books like you can’t imagine and the reason was – I was searching for answers. I wanted education. I wanted to hear about what life had on offer and I wanted to make my own informed decisions about life. In the end, I learnt that the only way to learn (really and truly) is to live life. However, reading helps. It gives you perspective. It gives you a broader sense of the world and other people’s lives. Reading can also give you escapism from a current predicament. I had it brought to my attention recently that some women read romantic fiction to have their faith restored in men, after going through bad relationships. Maybe while they’re single and healing, fiction can be that salve during a process of reflection and help someone figure out where they want to go and how they can take themselves forward.

I would never describe myself as a “romantic” author because I write the truth in all my books. I always question whether my characters would act like this or that in real life and sometimes, I spend days considering whether they would. Sometimes I have readers mailing me to say the characters are pissing them off, and I smile secretly, because people in real life do things to piss you off. I don’t write fiction to create perfect characters who do everything they should. I write them to spark something in a reader, hopefully a thought that might help them see things from a different perspective and change their life.

In my opinion, there is nothing more romantic than someone failing and getting back up, admitting they were wrong and doing it better next time. There is nothing more romantic than a true love conquering all, and remaining intact despite all the hurt and the pain. This is real, this is life. Life is painful but also beautiful and one thing you never see in the mass media are stories of ordinary, backwater people leading quiet, purposeful lives, bringing cheer to all those around them, bringing life and love to everybody they know. Sometimes you walk into a person’s home and everything about them seems ordinary until they start to recount an extraordinary story of achievement they rarely brag about. It just happened, and they humbly explain that it happened. There are silent heroes out there everywhere and it’s why this world hasn’t yet exploded into World War Three. There are people doing good deeds all over the place – and some of them never ask for any reward but a tiny bit of recognition.

I learnt to say no a long time ago. I won’t be bullied by anybody to think or do what they want me to do. I’ll break the rules. I’ll say no or I’ll gently say, “Maybe next time.” In this modern world of ours, we’ve got too wrapped up in thinking that opportunity is at our feet and it’s something we have to dive into without any thought for ourselves or what we – ourselves – really want. Know your own limits, it’s the best advice I could ever give you, and be content with your own limits and accept the things which make you happy, and ignore the things that really give you no comfort or peace whatsoever.

Maybe if you’re in an unhappy place in life, write a list of all the things you wish you could say no to, and a list of all the things you wish you could say yes to. I bet if you start saying no more, you will be able to say yes more frequently to the things you really want to do. There is no trap in life except your own mind, and sometimes, our parameters don’t shift with time and they need to constantly do that. Everyone is in charge of their own fate.

I do think it is important to mention, however… that some of us do experience real anxiety over saying no. Some of us imagine the worst possible scenario of what saying no could conclude in. Such as the breakdown of a relationship, or getting into debt, losing your job or… the list of situations some people have on their ‘absolute avoidance’ pile is endless. But think of why you’re saying no in the first place… and aren’t you saying no because to say yes would make you unhappy? And the whole point of life is to be happy, so why do you keep saying yes to unhappiness? We’ve all been there and life transformations can be very painful.

Someone myself and my husband follow is Jack Canfield and his success principles. I think this sums up everything I’m trying to say here:-

“Most of us avoid telling the truth because it’s uncomfortable. We’re afraid of the consequences—making others feel uncomfortable, hurting their feelings, or risking their anger. And yet, when we don’t tell the truth, and others don’t tell us the truth, we can’t deal with matters from a basis in reality. We’ve all heard the phrase that “the truth will set you free.” And it will. The truth allows us to be free to deal with the way things are, not the way we imagine them to be or hope them to be or might manipulate them to be with our lies. The truth also frees up our energy. It takes energy to withhold the truth, keep a secret, or keep up an act.”
Jack Canfield, The Success Principles: How to Get from Where You Are to Where You Want to Be

Time is precious and there is no harm in occasionally saying “no”, or “maybe next time.” It’s a sign of intelligence, of you weighing up all your options, and choosing a different one. It’s knowing who you are… and going in the direction that will make you the best person you can possibly be. Rather than dedicate all your energies to avoiding the truth, and covering it up with numberous band aids, plough all your energies into getting what you want. If you’re in a bad job, make your new job finding that new job. If you’re in a relationship where you know you’d be better off alone… seriously… there’s not even a yes or no answer to that.

Life is so short. Forget the bullshit… and just be happy. Toss off your self-made prison and the truth will set you free. It really will.

Forget what everyone is saying on social media, and think for yourself. It’s a clever thing to do and when you love yourself, people will love you too.

 

#FREE #scifi downloads

The other half of me, the scifi half, has two free books on download at the moment.

RADICALSet in a dystopian future, the UNITY novels are recommended for fans of The Hunger Games, Game of Thrones and Divergent – and contain elements similar to those found in novels by Philip K Dick, Ayn Rand and William Gibson.

Forty years ago, a virus decimated the global population. Now it’s 2063 and only one person seems to be chasing the truth behind an outbreak which remains largely a mystery. Seraphina “Seraph” Maddon is a New York City journalist doing what others have been killed for, spending her days seeking that one lead that will take her right to the heart of a corrupt regime strangulating love, faith and hope.

So it’s a shock when answers emerge from the most unexpected of places – York, England. Seraph’s great-aunt Eve Maddon, seemingly a simple dressmaker, lived a life Seraph knew nothing about.

It’s in the UK Seraph becomes aware she’s in real danger and along for the ride is Ryken Hardy, a virologist built more like a warrior than scientist.

The founder of UNITY, the one group working to return some sort of normality to the world, appears to be run by someone codenamed The Operator.

But who is The Operator?

Visit Amazon to pick up The Radical for FREE

THE INFORMANSet in a dystopian future, the UNITY novels are recommended for fans of The Hunger Games, Game of Thrones and Divergent – and contain elements similar to those found in novels by Philip K Dick, Ayn Rand and William Gibson.

What was going on behind the scenes as Ryken and Seraph ran for their lives in April 2063? More importantly, how does Ryken’s father, Nathan factor into UNITY and why did The Operator give him a chance to redeem himself?

As the year 2064 dawns, progress seems stilted and people fear a resurgence of Officium unless UNITY can provide a new leader.

Seraph has started a new life in Paris, certain she’s left behind her former life. Soon she’s made to realize, the fight isn’t over. Worse than that, she senses her friends are keeping secrets from her – but that’s not all UNITY has to worry about.

There is an informant threatening to undo everything the resistance has so far achieved.

But who is, The Informant?

Visit Amazon to pick up The Informant for FREE

SENTIENTFINAL2Set in a dystopian future, the UNITY novels are recommended for fans of The Hunger Games, Game of Thrones and Divergent – and contain elements similar to those found in novels by Philip K Dick, Ayn Rand and William Gibson.

What if the world’s savior isn’t who he says he is? What if even he doesn’t know what he is and what Officium did to him? What if he can’t remember? With so much resting on his shoulders, can the resistance underpin their new leader? Or is the damage irreversible?

The Operator’s many secrets are about to be unleashed on the survivors among UNITY. With all questions answered, will the truth provide closure or create more problems to deal with? What happened in the 2020s that Seraph still doesn’t know about and how will she react when she finds out the truth?

In this conclusion, the resistance are split up between several continents at once as they fight to survive the final remnants of Officium’s devastatingly inhumane legacy.

You can pick up The Sentient for 99p at the moment.

 

View all Sarah’s books on Amazon

Book to Film Translations

I went to watch Me Before You today and I was so looking forward to seeing a beloved book come to life on screen. Over the years I’ve bought multiple copies of this book and given it to other people – telling them to read it! People must read it! Some warned me the film wouldn’t necessarily meet expectations of what a book to film translation should be. Others said they were delighted with the film version of the book.

51-LuRHsRkL._SX324_BO1,204,203,200_Me Before You is a trite book. It is chick-lit in many ways. It’s a piece of fiction, a piece of art. I began reading chick-lit when I was about thirteen alongside tomes like Dracula, Frankenstein, Jane Eyre. As you can tell, I like to mix it up. But enough about me…

Throughout the 1hr 50min film, I found myself looking at the gorgeous and delectable Sam Claflin, wondering if Will Traynor would still have that much muscle mass as a man confined to a wheelchair for the past two years. Not to mention all his bouts of pneumonia. I wasn’t sure about that… which tells you everything about this film really. It asks you suspend your disbelief. Sam Claflin became Will for the purpose of this romance but no Oscar-winning triumph will be had from this. Claflin isn’t a Matthew McConaughey or Christian Bale dropping all their weight for their art. This was a romance film. End of.

With this in mind, we’d better look back at the book which could be deemed literary fiction in several aspects. Literary novels deliver scenic windows into the world within the novel but commercial novels more often than not deliver postcards – snippets of the world. I felt like this film was a snippet of a world we got to read about in the book, Me Before You. So much was missing for me. For example, the scene where Louisa and Will explore the castle and Louisa gets lost. This helps us understand the trauma which made Lou backtrack in life, stay in her hometown and never pursue her dreams. At the beginning of the book we’re given indications she might still have PTSD. That was missing from the film. The actual romantic scenes – the kissing I mean – were rubbish. Totally PG. It was like a brother and sister kissing. The guy who played her lousy boyfriend Patrick might as well have never appeared in the film because he wasn’t given much more of a role than “Sports-mad boyf she gets shot of to be with Will”.

I read Me Before You four whole years ago and it always astonishes me that people only start reading a book sometimes because it’s been turned into a film – even when that film does nothing to add or embellish the original story. Perhaps one of the most astonishing film adaptations, Atonement, was just so good because of the music, the battlefields… the authenticity. The acting. Atonement was the film where I first noticed Benedict Cumberbatch. He plays as good a villain as hero.

So despite the four years between me reading the book and seeing the film, one of the scenes which remains stuck in my mind and remains fresh (perhaps fermented slightly) is the scene of the lightning storm on holiday (Louisa takes Will for a last-ditch trip abroad to convince him not to go through with his plan to visit Dignitas). The lightning scene was changed for the film version and… there were even suggestions of SEX! OMG. “Stay the night.” I don’t know if he could get it up, but… anyway. Probably not… but that could explain the 12A certificate for an otherwise PG film… again, probably not. But a girl can dream. I realise film studios have a budget and a smaller runtime for “romances” but this film didn’t give me anything more than the book did, apart from maybe Sam Claflin.

Now, onto the subject of suicide. While reading the book four years ago (a lot can happen in four years), I was angry about this portion because I sort of knew it was coming and fully expected it but hated it, still. I decided he had a tongue and some working fingers and Louisa loved him enough so I thought, yeah, maybe he could live happily with her. And then I realised, Hey this is fiction. I respect the decision of the author who said she wrote this book with no idea how it would end. She didn’t change that portion for the film version and in a way, I’m glad. For Will, he has that choice available to him and he takes it. It’s not one everyone will agree with. For example, I know at least half a dozen people currently living with chronic pain or life-threatening illnesses every single day of their lives and for them, suicide is the last thing on their mind. What happens in Me Before You is Will’s choice and he explains it, saying he wouldn’t want Louisa to miss out on things he couldn’t give her, but also he’d had a big life before he became a quadriplegic and for him, what he was left with was worse than death. But scratch all that anyway… because for me, the moral of the book was that Louisa wasn’t living until Will came along and knowing he’d done good eased his passing. But a chunk of stuff was missing from the film to explain why Louisa wasn’t living.

It’s a sad story, an uplifting story. A beautiful story. A simple story. A stunningly-written story. But it is a story. A reminder to make more of our lives, to live each day as it comes. To go bananas sometimes and not regret it. I love the whole stripy tights thing, book and film version. I even loved Emilia Clarke’s saccharine portrayal of Lou. When I finished the book four years ago, I sat with Florence and the Machine’s Never Let Me Go on repeat for a few days. It was a really hard book to get over. I was angry with Will and confused, because the book slowly built to a lilting crescendo and then… nothing. Gone. In the film, the ending was even more rushed. I didn’t like it. Unlike many other women crying in the audience at the end, I couldn’t join them. I think the part I most wanted to cry at was the part where they’re sat at a classical concert and he looks over at her with that misty look in his eyes and it’s just heartbreaking… because you know what’s coming. It’s a difficult thing reconciling yourself with the choice he makes and I’m saying that knowing full well I’m talking about a fictional character as if they’re real. I adored his dry wit and laughed out loud many a time during the film and book. Anyway…

I know one thing. I might now be ready for the sequel After You (but only in book form). Maybe the point is, with books we get all the fine details… and we get to imagine another world for ourselves. Often the filmic version just doesn’t match what is in our mind. Overall this film was a 3* but I’ll give it 4 just because I loved the book so much.

I shudder when I think about any of my books being made into films. I’d probably just shut my eyes and hand the book to a scriptwriter with the words, “It’ll never be the book… but go for it, if that’s what people need.”

 

 

Writing An Organic Novel Which Becomes a Living Organism

  • What Is An Organic Novel?

An organic novel is perhaps the hardest type of book you could ever write. The author might have a vague idea of what they’re writing and why, but largely they’ve allowed themselves to go with the flow – starting with a basic story arc and adding to the flow as and when.

I’ve sat here and written organic novels and planned novels, so I know from experience that the organic novel is much harder to master but produces the better result.

A lot of authors will tell you they need to hear their characters’ voices to be able to write the story but in my experience, the story comes as strongly to me as the characters and no matter where the characters want to go, you, the author are in charge of their destiny. When a reader gets angry because the author killed off their favourite character, they might assume the author felt nothing when they killed off that character. They’d be wrong. The author feels the loss more than anyone and the author cuts themselves open to put difficult issues and trials on a page. As an author, it’s the hardest thing to do to say to yourself, “This is going to hurt but it must be done and I must go through with it…” Tackling difficult issues HURTS. Always emotionally, sometimes even physically when you’ve been sat in the same position all day and your fingers just won’t pen that difficult scene in the right way.

I don’t use beta readers. I discuss my books with my editor husband and nobody else. My best novel yet might be called Tainted Lovers but I didn’t allow it to become ‘tainted’ by too many cooks spoiling the broth.

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  • Art Is Organic

For me, art can’t be pre-planned; art is giving half of yourself over to the unknown and hoping for the best. It’s letting go of control and allowing your spirit to whirl around a black hole for as long and as painfully as you can take. In the process of writing the organic novel, you might be at war with yourself, or your editor, or yourself and your editor simultaneously, yourself and what you think readers want, yourself and yourself (if like me you sort of method write and start talking with the character who says, “I’d never fucking do that.”

Art is feeling the emotions of a story and not only subscribing to them but living them and absorbing them so that you know other human beings will feel the journey too. It’s hoping beyond hope that something so innately creative and “out there” might actually make sense to a bunch of individuals you don’t even know from Adam.

Art is knowing that the first line doesn’t have to be the best because a book is several lines. Which make a whole. It’s knowing when to make the sentences count, at what junctures do you need to dredge your soul, and how sometimes using greyscale so that when people do transform, it happens in multiple rainbows finally feeding the starved souls of readers ‘hoping beyond hope’.

Art is writing what isn’t pretty, but is necessary to the story. It’s about history, about humanity, about not lying to your reader about what life is like beyond their own castle walls.

  • The Organism

Writing something from the gut means things you put down on paper might repulse some and delight others. It’s true and therefore everyone will have an opinion over something so solid, which you’ve written down in granite and therefore, cannot be changed. The reader might will the story to change but the author (bearing in mind I’ve always been told be careful how you use words – and I ignore that notion continually) cannot change that story because by pressing that publish button, they’ve already put it in stone.

What makes a book an organism is when the author leaves little crevices in a story for the reader to allow their own subplots to slide in. Many people become fond of side characters in books, because they’re people we can imagine for ourselves. The protagonists are often crafted in such a staunch way that they’re the pegs holding down the tent, the driving force of a book – so set in stone – they cannot always be changed. Heroes and heroines can lose their mystery the more story we give them and the more we peel away their shells to overcome each obstacle.

My most recent full-length novel Tainted Lovers was written organically and in some respects, I fought to keep it that way. I didn’t just fight with myself, or my editor, but I fought with every aspect of this novel and it was a fight to the finish line. I wrote about keeping it a standalone in this blog and looking back now, I am so glad I won that particular fight because making this a standalone book has created a living organism which readers now give life to with their reactions and their interpretations, plus lingering questions even as silly as, “Why did he never take his socks off?”

I took some awful issues to task in this novel, one of them being domestic abuse. More than three women who suffered domestic abuse themselves contacted me to say that the book reflected exactly how they felt when they themselves were in that situation. Some of these women had to take a few days and more afterwards to reflect on the story they’d read. I really never even considered whether I was doing justice to women in the same position as my female lead, Adrienne. I just wrote a story I felt in my heart and gut was real.

I love a story which keeps the pages turning. I love commercial fiction. Some books you forget quickly but they were good at the time. I write mainstream stuff as well as literary stuff. I like a balance. But sometimes, an idea comes along and you have to pursue it, no matter the cost. It’s a GIFT and a privilege that I get to do what I do.

Art has to reflect real life, or it won’t touch your readers. Art has to explode life… in a way you might not feel brave enough to do yourself. It’s why we read, why the romance and thriller genres remain the biggest selling genres in the world. Put the two together and you might just get a book to finally knock the socks off David Lewis, the man who once upon a time made love wearing socks…

I finish with one of the reviews I read of Tainted Lovers only yesterday:

on 18 May 2016
I really am not sure what to say about this book, the writing was exceptional and the storyline like nothing I’ve read before. This book consumed me day and night, when I wasn’t reading it, I was wondering what else could possibly happen to Ade and David. These characters are beautifully broken; with dark secrets they fear will end their relationship this story spans over a decade, and really makes you think about a love that is so deep and all consuming, and had me asking myself whether I have ever really felt such a strong connection.

There were so many twists that you just will not see coming. This book will not only touch your heart but will invade your soul and leave you reeling. The author went to great lengths to make this story and the characters complex yet completely relatable; and the poetry throughout, beautiful. I loved Ade’s strength and David’s passion, and together they made this story the beautiful masterpiece that it is.

full paperback cover

They Loved, a short story

What follows is a short story of less than 1,000 words which I wrote for a charity anthology last year, called FRAMED. Here it is for your reading pleasure and/or pain. Thanks to Lisa Fulham for asking me to write this.

***

She waited on a padded, velvet bench.

When she emailed him that morning asking him to see her at the gallery where they had first met, he called back immediately. She told him nothing, only to meet her at six pm, knowing he would have left work by then.

Now, she waited.

Waited.

Shoes shuffled along the slick, waxed, wooden floors, sounding louder than they really were. Whispers. Breaths. Beats of the heart, even—they all sounded louder now.

A different sound broke her mindless inner chatter. His weight creaked the seat.

“Hi Anne.”

“Hey, Glenn. How’re you doing?”

“Not bad. Can’t complain.”

They both looked ahead, not wanting to look at one another. She couldn’t help but glance at his wedding finger. No replacement, not yet, she thought.

“You must be wondering if I’ve lost my marbles?” she began.

The last time they saw one another, they were hovering over the grave of their only child.

Ten years ago, Glenn turned his head for a moment at their favourite fishing lake and six year old Max slipped into the water. It was never explained how he fell in. It happened in the blink of an eye. The investigators had ruled his death accidental and the reeds had trapped Max underwater, long enough to swell his lungs with water, and take his life.

The couple hadn’t spoken since. He just packed his bags and went, too ashamed of what he’d done to her.

“Thought had crossed my mind,” Glenn said, wiping his index finger under his nose. Outside it was a rain-soaked November day.

“I need to tell you something,” she explained, her voice changing so he knew it was serious.

Glenn turned his head and feeling his gaze on her, she turned to look at him. He still had brilliant green eyes. The colour of magic, almost.

She reached for her nerve and swallowed. “I’m dying.”

He sat for a moment, numb, unresponsive. As it began to sink in, he replied, “You’re sick?”

“Yep. I have been for three years. I had treatment after treatment. Nothing’s worked.”

She caught him trying to catch a look at her ring finger, too, but she was wearing leather gloves. All her beauty had gone, slipped away. She was wearing a wig and her bones were empty, her soul drained, her sight not what it once was.

“How long?” he asked, his voice shallow. For a man not yet fifty, he looked ancient in that moment.

“Few weeks. They tried to put me in respite but I refused. I want to die at home, with my things, and my dignity intact. I’ll do what needs to be done before they make me a sad case.”

He gazed at the photograph on the wall in front of them. A girl in a blue dress could be seen stepping into a forest through one mirror, and stepping out of a beach scene through another. He wondered why she had chosen to seat herself in front of this picture. Out of all the images in the place, she chose this one.

Quickly he realised she hadn’t changed much—the woman feeling everything, still denying all who tried to show they cared.

“I’m sorry, of course. I don’t know what I can do, however? We’ve been apart for so long now.”

She took a deep breath and her weak, empty lungs strained against the gallery’s air-con.

“My book royalties…” She twisted at her coat material with her gloves and tried to find the courage to say the rest. “…there’s nobody else I want to give them to. My mum and dad are dead, my child died, my friends all hate me and abandoned me long ago. I wanted to tell you that they will come to you. It’s been arranged already. It’s done. I just wanted you to know, in person. I wanted to ask you to accept them with my absolute and utter blessing. There is nobody else I can think of who deserves them.”

His eyes squeezed tight shut and he couldn’t take it. His lungs collapsed, like hers were, from drawing on that cigarette she loved just a little more than her body could take. She gave up smoking for him, and for their child, but when they were gone the white stick was her only friend, only companion. Now, it had killed her.

He bent forward, head in his hands. He never anticipated this. Never. She’d not forgotten him, either. He started shaking and didn’t know when it would stop. Years of hidden, buried pain flooded his eyes and dripped, snaking down the sides of his face to the floor.

Glenn got himself together and his natural reaction was to reach for her, take her in his arms and pull her tight into his embrace. The rush of emotions was exquisite, the sting of regret a full-body ache, swamping him from head to toe. He’d loved her so much.

His lips began tracing the beauty of her face, along her jaw line, across her emaciated cheekbones and finally, to her lips. His tongue touched hers, one final time.

Forgiveness.

Nothing ever forgotten.

“It’s the same girl, the same one. Wherever you put her, she’s still the same person,” she explained, gesturing at the photo, and he nodded, “but that’s bullshit.”

“I always loved that about you.” Her ability to be real, to see the grit in a fairytale, even.

They had their overdue goodbye, their full stop. Underscore.

They gave her six months to live. She’d hung on for three years.

“Glenn, I’m sorry.”

There, in his arms, she took her last, lingering, most life-affirming breath.

***

It may interest you to know that in the writing of this story, I was influenced by real life tragedies which have happened to people in my life. Please donate what you can to Cancer Charities whenever you get chance. xx

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We should chase away from what we’re scared of, right? Run as fast as we can. Yet some of us seem to veer toward chaos and destruction…

Chloe sees anguish and despair lurking beneath the surface of Cai Matthews, the dark and dangerously handsome freelance photographer she meets on her first day in a new job. She can’t see straight in his presence—blinded by a blistering sexual attraction that has the potential to sweep her clean off her feet.

When Cai disappears from the workplace and doesn’t come back, Chloe tries to find out more about his life but all she knows is he’s set to inherit a ton of money and his aunt runs one of the most famous fashion magazines in the world.

Cai is running from a complicated past he doesn’t like talking about. Gossip columns rage with speculation concerning him and his aunt, who took guardianship of Cai after his parents died.

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I’ll stab you in the heart.
I’m coming for you.
No secret dies.
But you will.

In the concluding part of Chloe and Cai’s tale of frantic, tempestuous, meaningful love…

When news breaks that enigmatic magazine editor Jennifer Matthews is dead, it irks Chloe that Cai refuses to shed even one tear. What she doesn’t know is that he was expecting it, perhaps even, hoping for it.

In this dark, romantic tale of revenge, Cai explodes the deepest, most destructive aspects of his past as he comes to terms with the tragedy at the heart of Jennifer’s downfall. With Chloe’s love and support, he must brave his demons and dodge death to finally end a bitter feud between two damaged families.

**This book is not intended to stand alone and is the second in a three-part series, concluding in UNLEASH – Kayla Tate’s story.**

BOOK THREE UNLEASH

KAY (4)Have you ever fallen for the wrong person – knowing they’re not the one for you?

For Kayla Tate, pain and disappointment are all she has ever known when it comes to love. Is it that she never learned from her mistakes? Or is there a ghost from her past she’s yet to lay to rest?

Kayla embarks on a journey during which harsh lessons will be learned and relationships will be tested. It seems to centre around the Sub Rosa mystery, but where will she begin to unpick the threads? All she knows is that something doesn’t add up . . .

Kayla’s heartbreaking story is about lifelong friendships, taking chances and finding that one person who’s willing to risk it all with you – at exactly the right time.

DOM DIARIES – A COMPANION NOVEL

domdiariesThe Sub Rosa Trilogy uncovered the dark secrets beneath the lies. But what about the story beyond the mystery?

In this companion novel, TV presenter turned magazine editor Carl Sorensen has his say in these diaries chronicling his journey from a lost soul betrayed by all the women he loves – to a true, dedicated dom determined to lead a better life.

His uncensored confessions reveal all the dirty secrets that eventually put him on the same path as the woman who would become his wife.

Ultimately, what makes a dom and more importantly, WHO makes a dom?

Be prepared to have your belief system shaken up all over again.

Visit Sarah’s books on AMAZON

Read and Review Is Now Open

BNW Author Services are accepting sign-ups (on my behalf) from bloggers and readers who’d like to read and review Tainted Lovers for free in exchange FOR AN HONEST REVIEW.

tainted lovers (2)SYNOPSIS:

The most beautiful anti-romance you might read all year . . .

Adrienne and David meet in a library and the rest is history. Leaving their past lives behind, they race off to get married and make a promise of undying love. Waiting in the wings, however, are dark and deadly secrets threatening to tear them apart.

Their passion has never been up for question – but is there a limit to what love can overcome? Moreover, what does the future hold for Adrienne after she has her heart crushed, her spirit broken and her resolve disintegrated?

Are all great love stories destined to end badly . . . ?

Suitable for readers 18+ only. Tainted Lovers is a complete standalone novel.

Here’s the link to the form and all the information you need is there:

https://docs.google.com/forms/d/1VttJ…

First come, first served.

Happy reading,

Sarah xx

View TLs on Amazon

BDSM, Writing Sex and Daddy Doms… an interview

Firstly, thanks to Louise from Passionate Page Turner for posing these questions to me. I enjoyed answering them and it was great to look back at some of my earlier books. Without further ado…

The chambermaid series looks at one woman’s self-discovery and sexual awakening, she learns a great deal about her craft, how did you research for this?

12140580_619055291531558_4522190407370519980_nA lot of what I write is from off the top of my head and purely fictional and imaginative. However, I have a really good memory so what I write must be in some portion informed by what I have read, watched on TV, witnessed or talked about with friends. Lottie isn’t necessarily an expert practitioner of BDSM. She’s making it up as she goes along; she arouses men because she’s really just very beautiful and has a playful personality. She’s observed people for so long in her job in hotel work, she’s got a great deal of people experience. I also wanted to somehow persuade the reader that the reason Lottie is so imaginative is that she is well read, so I did read almost all the books she’s influenced by. One of my source materials was “Harris’s List of Georgian Ladies” which is full of euphemisms and flowery language and I used that type of language as an influence on Lottie. (Read the book, but Lottie’s use of language hides the sordid truth of a lot of her encounters, which aside from those with Noah are unfulfilling and not indicative of who she really is.)

One reviewer said that you wrote Lottie’s sexual encounters effortlessly, would you agree with this?

I agree I have a flair for writing good sex scenes but nothing comes effortlessly. You can’t just write, He put it in me and it was so hard and so good and he made me come instantly. How, and with what pressure, did he make you come? What did it specifically feel like? Get descriptive. Take yourself out of the situation and look at the scene from a bird’s eye view, then take yourself back into the circle again! There’s so much more to writing sex than most people know and you have to build a scene around a number of factors. Smell. Taste. Feel. Feelings. Women are always turned on by feelings, whether they admit it or not. What he does differently. What you do in response. I always try to vary the scenes I write. I think if Lottie’s sexual encounters seem effortlessly written it’s because all the work I put in behind the scenes isn’t apparent. The hero can be the hottest looking guy on the planet but if he just stands there and expects you to do all the work, that isn’t sexy. A man has to connect with your brain, first of all, to make you want him so much you’ll do ludicrous things with him in the bedroom. Literally, sometimes the things I write are even OBSCENE. LOL.

In my review I stated that it reminded me of older erotica, the likes of the story of O, do you/have you read much erotica? What would you recommend to read?

4a7fd17d24a3d19f79c556e91ed1ee09Yes, Story of O was one of the books which inspired Lottie’s story. If you’ve read the book, you’ll know there are huge passages without paragraph breaks, spread across page after page sometimes. I once read that the story needed rewriting with a modern update and better prose so in effect, I tried to do that in some portion with A Fine Profession. For Lottie, O’s story was an inspiration because having had so much pain in her own life, O has mastered the art of coping with pain and Charlotte wants to do the same. A Fine Profession is about Lottie writing out her fantasies, but with a sinister message beneath her experiences. She has a persona, someone she can be to escape herself, but burying herself in that character has cost her in ways she won’t admit. With that persona comes this voice of someone out of another time. She immerses herself in classical literature to take herself off into another world inside her mind. Her language is a lot more flowery than anything I write otherwise but it reflects her perpetual state of having her head in the clouds. I would definitely recommend Anais Nin for some classical erotica. Tiffany Reisz is an excellent erotic writer and her books are loved by those with a more open mind.

Lottie has a love for corsets and vintage lingerie and Noah supports and encourages this; can you tell me more about why she loves them?

a4a910e7efe751bacff26c5d458d0eb2Like a lot of women, she yearns for days gone by when women dressed as women with petticoats and corsets and huge skirts. When clothes flattered and were made to measure. When clothes lasted. How many women these days complain they can’t find a top to flatter their chest? A bra that fits? As modern women, we’re put under pressure to conform and costumes of old celebrated the larger bosom and hid a lot of our sins. In many respects, the corset is Lottie’s uniform and wearing it reminds her she has to perform. Vintage makes her feel special, makes her feel out of her time, takes her out of herself. Lottie is forever on the hunt for props, experiences and men willing to help her be the character she so desperately wants to be like.

In A Fine Pursuit you write from Noah’s  pov, was this difficult? Especially during sex scenes?

a fine pursuitYeah, it was difficult. I wrote this story a long while ago now but I remember at the time just feeling that same anguish and confusion he did. He was an infuriating character to be in the mindset of but I researched him thoroughly. I always knew he wouldn’t necessarily be a likeable character, but he’s a real character. He’s not a classic dom. I didn’t write his story thinking he was a book boyfriend, either. Like I mentioned above, Lottie is forever trying to displace herself from real life, which she can’t cope with. Noah’s just the same. He wants the fantasy he shares with her, because the billionaire he is by day is nothing like the man beneath. The books are literary, maybe even hard to stomach. I don’t think some readers like the honesty of these two books.

In the finale of the Sub Rosa Trilogy you delve more into BDSM, was this eye opener for you?

Nope. I have believed in BDSM for a long time. It is true that there are some people out there who abuse their roles in the lifestyle, but pain’s not at the heart of the culture. Trust is. I have a book in the pipeline called “Dom Diaries” and it does draw out a lot of the truths about what makes a dom, truths that aren’t necessarily apparent through Kayla’s dialogue alone in the series finale.

I’m not sure I like the term “Daddy” when talking about a dom, is this a common term used?

It’s extremely common except it’s not always used in open spaces – or in mainstream books. You’ve probably read about loads of Daddy/sub relationships but the name Daddy hasn’t been used. In AFP, Noah is Lottie’s Master. She denotes that with the use of capital M for Master. She never calls him sir. He’s much more than that. He’s her disciplinarian because she can be so out of control. The Master/sub relationship is more about punishment whereas the Daddy/sub scenario is more about nurturing the sub. Being a Daddy has nothing to do with being a replacement father figure although many elements of BDSM subvert real-life roles and explore unspoken areas of the sub’s emotional back catalogue. I personally think “daddy” is a softer term for dom/master/sir. Daddies and their subs tend to be more playful, more tactile and play on each other’s young outlook on life.

I notice that you use pinterest, do you find that a useful research and inspiration tool?

Not really. I just waste a lot of time over there, finding pretty pictures! Although sometimes I’ll notice a couple and go, “that reminds me of such and such…” The stuff I use for research is banned off Pinterest.

Fabien takes us into the world of Paranormal, did your writing style have to change when writing sexy supernatural sex scenes?

Yes, my writing really had to change but it was such a refreshing change, too. Putting myself in the mind of someone who has lived for centuries was an interesting task. Also, you can pretty much go WAAAAAYYYY outside the box with paranormal, which is a great thing.

Your new book (Tainted Lovers) features a married couple,  we had chatted about there not being many books out there featuring married couples, why do think that is?

I once read that erotica “saved my marriage”. A lady wrote her libido dipped after a certain length of time spent married and it had nothing to do with her feelings for her husband or their attraction. She just needed a boost. I think we avoid writing about marriage in romance novels because we’d rather remember how it was in the beginning. It’s a common opinion among women that the sex dwindles after marriage and you just have to accept it – but I disagree. I think if you can be open and honest with your partner, it can only keep getting better. No “fantasy” lover is ever going to know you as well as the man who, over several years, has spent time getting to know where and how you like to be touched. But we women do sometimes need a little added shot of erotica to boost our appetites. Horny women are never a bad thing; I’m sure husbands and boyfriends and randoms agree!tainted lovers (2)

What makes a story “Erotica”?

A really good story which features some sex, which doesn’t have to be on every page. A cracking sex scene can carry an entire book if it’s memorable and unique, and well written. Erotica, for me, is a genre which delves into the very basics of our psyche and isn’t easy to write. It’s not just about moving a story from plot point A to point B. You have to weave the sex in so it doesn’t seem unneccessary. It’s a skill I’m still learning all the time.

 

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Pre-order Dom Diaries Now + Excerpt

domdiaries

RELEASING MAY 3RD

Blurb

The Sub Rosa Trilogy uncovered the dark secrets beneath the lies. But what about the story beyond the mystery?

In this companion novel, TV presenter turned magazine editor Carl Sorensen has his say in these diaries chronicling his journey from a lost soul betrayed by all the women he loves – to a true, dedicated dom determined to lead a better life.

His uncensored confessions reveal all the dirty secrets that eventually put him on the same path as the woman who would become his wife.

Ultimately, what makes a dom and more importantly, WHO makes a dom?

Be prepared to have your belief system shaken up all over again.

Reading Order:

UNBIND (Book 1) : http://mybook.to/unbind

UNFURL (Book 2) : http://mybook.to/unfurl

UNLEASH (Book 3) : http://mybook.to/unleash

DOM DIARIES (a companion) : http://mybook.to/domdiaries

AUTHOR NOTE

I have a word or two of warning:

This book contains lots of major spoilers for the Sub Rosa series. I highly recommend reading the trilogy first otherwise you will not be as emotionally invested as you pick up this book.

Rather than adding to the series, this complements if nothing else, but does contain a couple of little added twists.

Rather than rehash the trilogy, Carl’s diaries highlight the pivotal points of his life, when he’s either desperately in agony or ecstatically happy.

Once again:

You have been warned. Read the trilogy first.

Happy reading.

Sarah x

 

EXCERPT

AUGUST 1, 2008

11.01 p.m. HOME. Since Marie started taking me to her friend’s dungeon, everything has changed. I’ve had my eyes opened. I’ve… been educated. Let me go back to the first night, and then I’ll tell you (dear diary) what has happened since…

It was a Saturday night, the day after July 4th. Hot. Sticky. She told me to wear normal clothes because costumes would be provided at the door.

We walked through an old, stately apartment building in Gramercy and I was led through a home furnished in paisley and dominated by polished glass, with all the walls in walnut and beige. Soon enough we found ourselves waiting before an invisible entrance, wallpaper hiding the joins of a hidden door.

We walked through into an entirely different world of dark wood and leather, of latex and naked flesh. High human scents mixed with hard materials – it was a heady combination. The smell of fresh pussy already had me filling my pants.

We were led to a cloakroom of sorts and passed our costumes, so to speak. Marie was given a black cloak which tied at the front to conceal her entire body. I was given a pair of black, silk pants.

In a small changing room together, I watched as she stripped to her bare skin and pulled on just the cloak. I did the same, wearing only the silk pants.

‘So far so good?’ she asked me.

I merely raised my brow and smiled.

‘Good,’ she replied, ‘now remember what I said, this is a pain-free dungeon. Just playing. None of the equipment here is for pain. It’s all kid’s plasticky stuff. We make this up as we go along.’

I nodded and we placed our normal clothes in a wicker locker outside the door.

We were led down a wooden staircase into what I presumed was a basement. Each step I took made the steps creak beneath my feet. I was aware this was shabby chic; shabby full stop.

Down in the thick of it, I was surprised to see men and women chatting idly, sat around on wooden benches with a drink in their hand. There were a couple of male waiters handing out drinks, dressed in leather chaps with just a strip of a thong protecting their modesty.

A woman dressed in one of the black cloaks called for everyone’s attention and said, ‘Usual rules apply. No real names. No facts. No intercourse. No pain. No other rules. Enjoy.’

A door was opened into another room and I realized the one we were in was but an antechamber.

Marie tipped her champagne glass against mine and clinked. ‘Don’t you drink, Carl?’

‘I don’t actually.’ It was funny. I wouldn’t have admitted that, had I not known that what went on in the dungeon, no doubt stayed in the dungeon.

‘More for me,’ she grinned, taking my glass for herself.

We walked towards the doorway where the real festivities took place and for a brief moment, I felt like all these doorways were passageways into either prison or freedom. I was hoping for the latter.

Before we went into the real dungeon, one of the waiters marked my shoulder with an ultraviolet pen so I bore a clear, “L” on my skin.

‘Learner,’ whispered Marie, ‘so that people know. Stick with me.’

We walked indoors, finally, to be greeted by what seemed to be instruments of torture but were absolutely toys. Many more women than men were in charge and as we passed through and observed, I heard a few of the men groan as their partners humiliated and stroked their bodies with playful torture instruments such as ticklers, fake riding crops and mostly, their own boots.

‘What would your dom do to you?’ I whispered in Marie’s ear.

She looked up into my eyes from her smaller stature and giggled. ‘I’ll show you.’

She led me to an oversized wooden chair, the like you see people electrocuted in. She asked me to fasten the wrist and ankle holds, which I did.

‘My safe word is deluxe,’ she says, ‘which basically means I’m premium and ready to finish.’

I grinned. ‘Do I need one?’

‘No, not unless you would like to be dominated.’

‘Never.’

‘Okay, then.’

carl

Latest news + 10,000 followers?

So, I was idly scrolling round my website the other day and happened to see my blog now has 10,000 followers. WOW. How’d that happen?

Anyway, thank you!

So, a few things…

BOOK SIGNINGS

My next book signing is in Dublin on October 8th. You can find out all you need to know about the event by clicking this link: CLADDAGH EVENT PAGE If you want to guarantee your books before the day, you can pre-order by filling out this form: CLICK HERE

TAINTED LOVERS

tainted lovers (2)My latest book Tainted Lovers has been receiving some strong reactions, particularly from women who’ve been in the same position as Adrienne. I’ve deliberately not mentioned her prior history in the blurb so the book isn’t spoiled but for info, she was previously in an abusive relationship – and this impacts on her future marriage. Check out the reviews so far: Visit Amazon UK or Amazon US. I gave everything to one book that I would normally give to a series, so find out for yourself what you think.

EDITING

I’ve had a few queries about this lately so I’m just gonna post this here. I’m not taking on any new editorial projects now until September. I’ll honour those already slated but for the next few months, I’m booked. As always, happy to respond to queries, but my responses may not be so prompt.

DOM DIARIES

I’m working on a companion novel to the Sub Rosa Series at the moment called Dom Diaries. It’s a book from Carl’s POV and has been an interesting challenge, given it’s a collection of diaries, which require a lot of different techniques! I’m hoping to make this available for pre-order in the next two to three weeks.

NEWSLETTER

I’m starting a newsletter very soon which will contain exclusives, previews and news. All you have to do is fill in your details after following this link: http://eepurl.com/bWYDuf.

And that’s all for now. Thanks for reading,

Sarah xx