Memory as a Theme – Another Blog Relating to Unbind

“I can remember everything.

That’s my curse, young man.

It’s the greatest curse that’s

ever been inflicted on the

human race: memory.”

Jedediah Leland, Citizen Kane

Does great art have to mirror real life—to be great? If it is an art, but still does this, well… that in itself is great. Right?

Writing Unbind … one of the first things I got into my head was to treat the book as a work of art, which means delving into all the little, tiny nuances of life we forget. However, it is those details that without drawing attention to themselves—make the fabric of our work and our worlds. It’s something that has taken me a long time to master but including the tiny pieces of a world in your work really makes that book work for you… and more importantly, for others too. I read primarily for escapism as do most but that element of realism really does give a book “that edge”.

Dialogue is similarly another thing that is hard to master…

A book begins life as a virtual experience. As an author you first concentrate on the story and plot and work from there. You begin by mapping out the thing as a whole. To make it come alive in the second stage of creation (which is more about the themes and personality of that book) you take the process beyond your own sight of what is happening… to feeling the events through the eyes, ears and scents of your characters. It’s hard to pin down what that MAGIC ingredient is exactly… that thing an author does to draw you under a book’s spell… but when it works, it works. The third and last stage of crafting must bring your characters to life and make them so real… a reader grows to see and feel that character or characters with or without direction from the author.

This all sounds complicated but a good book really does emerge only from a lot of work done behind the scenes, which you the reader or audience never see. Even in the case of some of the bestselling authors out there, you can see which areas they’ve laboured and struggled over. There were maybe sections not easy to write but were nevertheless fundamental to the whole. It’s something we often neglect to consider—a book is not one chapter or one line. It is thousands of words created to evoke a multitude of feelings.

MEMORY, then. Whenever I meet up with old friends, they’ll often say to me, “How do you remember that?” I’ll often remind them of something they had clean forgotten. It may prove no surprise that at school, I struggled with certain subjects that didn’t spark any creativity because I view everything in pictures. It’s probably why people always finish my books and say, “It could be a film,” or, “I see that as a graphic novel one day.” The latter refers to the sci-fi. I thought when I first started out life as a writer—nobody wants to read what Character A had for breakfast that morning. Nobody wants to know that Character B has a bowel problem, either! Ha! These things are true. What the reader does want to know however, is the traits fundamental to your MCs that are essential to the storyline. That is what makes a book a piece of art—it’s only a square of someone’s existence but somehow gives the reader the details needed to imagine and feel the rest. It’s really in the hands of the reader to make books live. It’s really that authors have given you the tools, but you’re the ones sat there doing all the hard work—imagining all those images yourselves through a splendid arrangement of black and white letters on a page or tablet.

My protagonist in Unbind has a vivid memory, too. However, she sees things in archived boxes, a kind of internal filing system. It is this and her whole way of living that ultimately makes her the antithesis to another powerful presence in Unbind.

However, nobody will know what Unbind truly encompasses, not until the last word…

More to come…

Unbind is currently available for pre-order http://mybook.to/Unbind

Life As Art

How do you teach an old dog new tricks?

One thing I’ve been more proactive about this year is reading. I’ve read at least a hundred times more this year than I’ve written and it’s changed the way I write, for sure. In the past it has been the other way round… I mean I did write a trilogy while I was nursing and teaching my daughter to walk!

It’s true that we never stop learning and mostly, through other people. It’s like this quote I saw from Neil Gaiman today which was half the reason I thought to write this blog:

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When you start out as a writer you are writing mostly for the love of writing but as you progress, you begin to realise how your work can be sharpened. As you write and write, and read and read, you eventually start to do a lot of things without even thinking about it anymore. You evolve into the writer you’re meant to be and you know which of the rules your writing can break. It gets so that the writing is both second nature and craft.

So, how do we go back to basics after writing so many novels where we’ve explored all the tricks and now need to narrow them down to get across that one, simple story that embodies “Life As Art”. I’m talking about an effortless narrative that tells you what is happening while drawing out all the nuances of two people, their two worlds and everything that makes those worlds unique and singular. It’s not a bad thing, but sometimes we forget there is beauty in simplicity and containment, in the ordinary. It’s a craft because you’re telling a story that gives a reader the tools to imagine the rest. This is where being a prolific reader yourself comes into it.

That Audience

A good book doesn’t betray the effort that has gone into one sentence, one paragraph, one whole chapter even. That’s because you did your research and you wrote that story with faith. It’s a squarely constructed piece that has a theme and you ran with it. You believe in what you’re putting out there because you know you have an audience. At the end of the day, it’s great to write a story and have it out there, but are you writing for an audience? Are you giving people what they want? Yes, there are stories that break all the rules and do that well, for one reason or another. Maybe because at the heart, there is some kind of truth that so many people can still relate to.

Life As Art

Surf beneath the mundane surface and so much more unveils itself. If you’ve studied your characters in depth before you’ve written them, you can put them in any situation and know what they’re going to do—how they may react. Fictional characters are great though… you can stretch them that little bit further. You can also fit twenty years’ worth of history into just one year, maybe even one month. Squeeze time down, and maybe, you can make that book feel much longer and lengthier than just that one lifetime even. The truth is, writing is a unique “occupation” and there is no exact science. Sometimes there is no rhyme or reason to why we write this, or why we write that.

My point is, you have to keep writing. Writing is learning and expressing and discovering. I’m learning that all the time. I’m still learning and I think I am finally getting close to the holy trinity of a writer’s aspirations… to be my own, individual self and be pretty bloody pleased with that.

Unbind is now available for pre-order, RELEASED OCTOBER 20TH

http://mybook.to/Unbind

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Pre-order Unbind now…

Prologue

Connecticut, 2000

THE OUTLINE OF a petite woman dressed in a gauche ensemble grew bigger as she walked toward Cai. He inwardly groaned, Go away. Please, not her. She stomped across the uneven, old cemetery in her high heels, unceremoniously marching over long-forgotten graves to make her way to where he stood. He noticed her limousine loitering in the distance and reasoned the wake was long over. She’d be hacked off he missed it. Of course he’d purposely avoided the whole thing—fake smiles, apologies, pithy remarks from freeloading drunks and plain fakery from all corners. None of them knew the woman his mother really was. To most she was just a reclusive artist with a ton of secrecy surrounding her unusual lifestyle.

The last mourner there, his neck ached from fixing a constant gaze down into the ground beneath his feet. Tossed earth and red roses marred the gleaming white coffin and he wondered what the point of it all was. His mother wouldn’t know the difference, would she? Then again, he wondered what the point of life was some days.

All day heavy rain clouds had threatened to send him indoors and yet he remained, gazing down into that joyless hole that a man lurking nearby was impatient to fill. Now dusk, it was the dark that might toss him home.

Both parents, gone. The most recent, his mother.

For some reason, he couldn’t mourn. All day he’d willed even a few tears to come, but none had.

His aunt’s hand fell lightly on his shoulder and she tried to tug him away from that site. He knew she was talking but he didn’t hear her, not until she started shouting.

“I’ll have no more nonsense, d’ya hear me Cai? Indoors, now!” She ravaged his ears with a strong, cockney accent.

He thought this woman—his new guardian—crude and dislikable.

The night closed in fast but Cai still refused to leave. The undertaker waited in his truck nearby, talking rampantly on his cell, poised to finally get the job done. Several times that day, Cai had threatened to throw himself in with his mother if he wasn’t given enough time.

There’d never be enough time.

Aunt Jennifer had only just turned up in his life though for years his mother had raved about her incessantly, telling him how glamorous and travelled and individual she was.

“I just learned it’ll be me who oversees your financial affairs, Cai.” He didn’t miss the cool tone of her voice when she said his name, like he was a duty and not a person. “Best start the way we mean to go on… you… being behaved, I mean.”

“Why you?” His teenage voice squeaked slightly, only just broken. “Didn’t Mom leave the lawyers in charge?”

“I don’t know, Cai. Your mother was strange but maybe she did make one sound decision,” she told him firmly. “I’m family… I’m not a faceless pen pusher.”

I’d take one of those any day, he thought.

Fourteen years old and orphaned—all he had left was an aunt he didn’t know and a house full of bad memories.

“I don’t want to stay here. That place,” he said in a rush and gestured to his mother’s mansion nearby, “gives me the creeps.”

She licked her painted lips. “Lucky for you I just landed a job in New York City; they have the best schools anyway I’d bet.”

He breathed a sigh of relief. Escape. Freedom. Somewhere different. That Georgian estate he’d grown up on was full of ghosts and secrets.

The looming white building could be seen from his current hillside vantage point and he didn’t know what was worse—living in a place of nightmares or staring out of the window at the consequences up on the hill.

“We’ll keep the house running… maybe offer it as a wedding venue. Keep it in the family, so to speak.”

“For now, maybe. Later, I’ll demolish it,” he replied.

“We’ll see. This could be an earner for you, love,” she said calmly, but the fingers she kept at his shoulder dug in painfully.

He turned to look at his aunt and saw through the dramatic black veil she wore. All that make-up and elegance, all that poise and style, yet he recognised people by nature were all the same beneath.

He kicked the earth, his hands in the pockets of his slacks. “When I come of age I’ll sell, or better still, have every brick removed and taken elsewhere. I’ll smash it to pieces, bit by bit!”

She scoffed, seemingly unflustered. “Huh, well, we’ll see. There’s a clause, old fashioned but… you’ve inherited as a minor so you’ve to marry to inherit otherwise you won’t get the money before your twenty-fifth birthday.”

“Typical,” he mumbled, stalking away as soon as the first, tender splashes of rain tumbled down. The undertaker cursed desperately in the background, threatening all sorts.

“My sister wouldn’t have wanted you to sell,” she shouted over his shoulder. “She loved this place.”

His mother and aunt British-born, Claudia was the elder sister and had inherited the estate in Connecticut from her father’s elder brother. Claudia’s decision to leave London meant the sisters lost touch somewhat and it was in America that Claudia met Philippe Cortez, Cai’s father—the couple’s volatile partnership something Jennifer never approved of.

Cai and Jennifer were all that remained of a family which from the outside appeared to live fast, and die young.

She caught up with his strides, warning, “I’d advise you not to carry your father’s name, my boy. A man as notorious as him, well now… you don’t want to be tarred by the same brush. I’ll say you were my sister’s love child. I’ll say… well, I’ll make stuff up. After all nobody really knows what went on here, do they? We cannot have people thinking you are your daddy’s son. Do you understand?”

He nodded slowly alongside her, labouredly, and she repeated, “Tell me you understand?”

“I understand.” My father was a bad man.                           

They climbed into the waiting limousine and Cai hoped they were only going back to the house to pack their bags. He watched the skies open as she continued to dictate to him, the driver setting off without need of instruction.

“I won’t have any mucking about Cai, d’ya hear me? The life you knew is over. You’ll go to school and out into the world for a change. There’ll be no more hiding, d’ya understand me? You’re a clever lad and you’ll do well. You’ll behave and that’s all there is to it… you and me will get on grand if you just behave, hmm?”

He nodded slowly, not caring to show his inward pleasure. He’d been desperate to escape for so long, the smile threatening to break over his face hurt—even though he thought this woman was out of line talking to him that way. Like a child. He’d seen things that made a boy a man.

Jennifer knew he’d had a strange upbringing and she was going to remedy that. The nightmare of the past fourteen years was officially over—and she’d saved him from that in some part, when she could have left him with the servants.

Cai would sell the estate as soon as he got chance, or burn it to the ground. If nothing else, he would at least have every rose on site destroyed so that they never grew again.

He’d wait until he could be free of his aunt—who was just another reminder. Hell, he might even consider getting married.

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